Pietas

This is the fifteenth installment (and, chronologically, the third) in an increasingly unwieldy fictional series. Part one is here.

In retrospect, Evan will remember that Saturday in early December of his junior year as the day the revolution began. As with most changes of regime, the catalyst was not some oppressed soul rising up to shake off chains: it was, instead, a well-off visionary who could muster a following. On paper, Evan might have been the least likely to go to the barricades, but when some teammates ask him pointed questions about the course of events in the coming weeks, he’ll shrug and say it was just how things fell into place. Over time, Evan has learned that his casual shrugs have purposes beyond the naked eye, though the only person allowed to know this secret is his co-conspirator in the plot.

“Well that was a not fun win,” Mark muses from his seat at his locker next to Evan’s. After a game on the bench Mark hasn’t bothered to shower, though he still takes his sweet time making his exit, shirtless and showing off his sculpted chest and collection of gaudy necklaces.

Mark isn’t wrong. Evan had fired home a power play goal in a 4-3 win, but the three third-period goals conceded loom over him. Their coach, uncharacteristically, has shrugged it off, said these things happen and they executed their game plan well. This leaves unspoken the obvious failing: the incumbent senior goaltender who coughed up two painfully soft goals, a second straight ugly outing that had some of the team’s top scorers trading glances and edging closer to the hyped sophomore import who is his backup.

            “One rough period,” Evan offers, with a sidelong glance at the four seniors down the row from him, including the starting goalie. These boys, the hardworking and talent-poor veterans who’d survived the cuts as talented junior and sophomore classes took over more and more of the varsity roster, are already dressed, tracking every word of this conversation. Suddenly, Evan can see the looming conflagration. To his right, tensing up, a thick, short forward in clunky boots and a camo hat over short-cropped hair, his neck welling up in a bruise on his neck from a stray puck. To his left, suddenly on alert, the sculpted, shirtless pretty boy in his Air Force Ones and salmon sweats without a hair out of place in his fluffed blond coiffure.

“We outshot them. The D held up. If it weren’t for…” Mark trails off, laying his bait.

“Weren’t for what?” asks Jason Gates to Evan’s right.

“Well, I took a dumb penalty,” Evan deflects.

“We killed it no problem, bro,” says Mark. “And that cunt you cross-checked deserved it after running Nick.” There it is: the goalie’s name is in the open now. Eyes swing to Nick, one seat to Jason’s right.

“If it weren’t for what?” Jason demands.

“I’ll let you supply that answer,” says Mark. His smirk curls on the edge of his lip.

“Marky…” Evan cautions.

“So goddamn entitled,” Jason snarls. “Nick’s been to war for us. You’ve got nothing on him.” He steps around Evan and Mark shoots to his feet.

“You’ve never even seen me play, you little bitch!” Mark yells. The whole locker room freezes. At first blush his words are absurd, untested sophomore to battle-scarred senior, but six-foot Mark has a good five inches on Jason, and his chest muscles bulge as he tenses up. Evan throws himself between the them, but even as he does so, he feels the team’s whole balance of power spin around him.

“Shut the fuck up!” Jason yells back.

“That all you got, Carhartt boy? You gonna lie to your friend and say that showing was okay? Or are y’all just a bunch of nepo kids slapping backs and making up bullshit about how this all works? Fighting for the lost cause, even though reality’s moved on. Might as well get some Confederate flags for your pickup truck, you already got the look down. You get off to that kind of shit, bruh?”

Jason staggers under Mark’s machine gun fire. The retaliatory vulgarities, though loud, simply die in the room. Evan still holds him back, but it’s hardly necessary.

“Sorry, Nicky, nothing personal,” Mark says, pasting a fake grin on his face. “Just tryna light a fire under you. But you could get better friends. Might get caught with this one’s dip tins in your car if you keep hanging with him.”

“Dude, what the fuck?” Nick asks, shaking his head. “I was trying to…nah. It’s not worth it. C’mon, Jay.” He claps a hand on Jason’s shoulder and guides him out of the locker room. Evan’s heart rate slowly settles down, and he turns to Mark, who surveys his audience, nonplussed.

“Not cool,” murmurs someone on the other side of the room.

“Prolly got a bit extra there,” Mark admits. “Sorry, boys. But you gotta know I’ll always stand up for what I believe in. And it ain’t cocky if it’s true.” He tugs on his team sweatshirt, parks a cap on his head at a jaunty angle, and makes his exit.

Evan watches Mark go out of the corner of his eye. He pulls things in and out of his bag, aimless, forgotten as small camps form around him. The remaining seniors to Evan’s right mutter among themselves, and a few others cross the room to join them. To his left, a few JV kids close ranks, the powerless bystanders in a brewing war. Across the way the team’s most skilled players are trading nervous looks, their initial enthusiasm for the promising young goalie now troubled. Just one person notices Evan on his island: Brody, the team manager, who slides over and helps him make sense of his gear.

“I didn’t know he was like that,” he whispers.

Evan pauses. He wants to agree but finds an unexpected honesty rising up within him, in need of an outlet.

“I did.”

“Really?”

“I’ve gotten to know him. I think you know that. And there’s a real good side of him. But he’s also been through, what, a girl a month since he moved here? And his family story…it’s not surprising.”

“He’s everything we’ve been trying to get rid of here, isn’t he.”

Evan shrugs, loath to admit that, yes, Mark’s display is counter to everything this team has tried to instill in its culture after the locker room brawls and weeknight parties of previous years. Brody stares at him expectantly as the locker room empties out behind him.

“Want to just chill? I’d get it if you don’t want to go to Zack’s.”

“I don’t. But you should. Distract them if it turns into a bitchfest.”

“You’d be better at that than I am.”

“I might try to talk to Mark. Someone has to.”

“People know you’re tight with him, though. You gotta be careful.”

“Tell them I’m just gonna be with Bridget. They expect that by now anyway.”

Brody shakes his head at him but sighs in acceptance. “Tell me how it goes, okay?”

“Yeah. Course.” By now Evan’s bag is ready and he heads straight out the door without a backward glance at Brody. The guilt begins as soon as he’s in the hallway and begins to process: what, exactly, is he doing? This situation is s black and white as it gets. Brody has just offered him a night of companionship, of exactly the commiseration he’s always wanted in this world, first impossible to find and recently available only in a ridiculous, egomaniacal move-in who just alienated his entire team.

Evan is so lost in his thoughts that he almost trips over the gaggle of seven-year-olds contorting themselves in the arena lobby. Only when he looks up does he see why they’re all bent to one side: they are synchronized in matching the stretches of the goalie who holds court in their midst.

“Secret to great goaltending is all positioning,” Mark tells the boys. “Anytime you see a goalie make a crazy diving save? That’s slop. He’s just making up for being out of position. The best never get there in the first place. Make it look easy.” He snaps a picture of himself amid his adulatory crowd, framed just so to catch a group of onlooking girls who giggle at his display in the background. Mark pops out of his stretch and swings to Evan’s side.

“Let em try to say I’m the selfish one when I post that,” he whispers, smirk back in place. “You know I’m playin, right? If you can’t move heaven, raise hell. Got a nice wine bottle and some gummies if you wanna swing over.”

Evan’s eyes dart about the lobby and land on Jason and Nick, who are watching him from by the doors with narrowed eyes.

“Uh…sorry bro. Gonna hang with Bridget tonight. Maybe next weekend?” He tries to shuffle off at a pace that is neither too slow for his teammates nor too fast for Mark, but when his eyes alight on Bridget, head buried in her phone in a corner, he bounds over to her and wraps her in a hug.

“What did I do to deserve that?” she asks as she narrowly rescues the phone from escaping her fingers.

“You just were you,” Evan says in relief. He bores his eyes into hers, a refuge from judgment, and decides he won’t tell her one word of the locker room drama. Bridget brushes his wet hair into place and meets his gaze, her hazel eyes aglow. “I just want you tonight. Nothing more, nothing less. We don’t even need to do anything. I just want…you.”

“Third wheel life, here I come,” a blasé voice rips through the reverie. Evan had completely missed Bridget’s best friend Jackie standing right next to them, a feat considering her height and her cascading blonde hair and her on-point halter top that outclasses the rest of the lobby. He coaxes her into the hug, though she pulls the three of them out before long.

“Jackie and I were going to binge watch dating shows,” Bridget says. “You really want to join?”

“Of course.” Evan then stops to ponder this arrangement, deflates, and deflects. “None of those dudes are as hot as me, it’ll be good for my ego.” Bridget laughs at his joke, but Jackie’s eyes are elsewhere, and he traces her gaze across the lobby toward the goalie who has just now shaken his admirers and is mentally undressing the best catch in the whole room. The way Jackie’s gaze lingers on Mark turns Evan’s stomach in ways he cannot fully explain.

Bridget’s dad collects the three of them and drives them to her house. Evan gamely laughs at the doltish hunks in the dating show, but his mind is elsewhere, and Jackie’s presence keeps him from cuddling too closely with Bridget. Jackie fields stray messages all night; are they from Mark? Evan’s phone, meanwhile, goes off like a lightning show. The hockey team dissects the drama and plans its postgame gathering in discordant jolts, but he feels so isolated from that world. Brody demands to know how his détente with Mark is unfolding, and Mark himself unleashes a barrage of media, from videos of himself with his fan club to none-too-subtle musings on the importance on belief in oneself when others try to tear one down. Evan turns off his notifications and shoves the phone in his pocket. He wishes he could nod off here on the couch.

A hand sneaks down beneath the blanket he shares with Bridget. Evan feels it ease across his lower back, where it softly massages away his tension. Somehow, she knows. And rather than interrogate his troubled thoughts, rather than lapse into some cliché, she just shows him why she is there. He wants to pounce on her, kiss every inch of her, make love to her like they’ve never done before. Just what he needed, some unfulfilled sexual desire to add to his soup of anxiety.

A few hours later, Bridget’s mom enters the basement rec room and tells them to wrap up their evening of brain rot. Her eyes linger on the blanket Evan and Bridget share, and Evan can’t help but feel her judgment, her worry that this mop-haired jock, for all his bashful sweet talk, just wants to deflower her daughter. Little does she know that ship sailed months ago.

“I made your mom some banana bread,” she tells Evan after they head for the kitchen. “We should do dinner again, the five of us.” She smiles at Evan as if he’s part of the family and goes to summon her husband to drive the two visitors home. Now he feels guilty about assuming she was judging him, layer upon layer of confusion compounding and leaving him in a rut.

“Hey.” He looks at Bridget beaming up at him and realizes Jackie has retreated to the bathroom. Finally, they are alone, there in the soft lights of a galley kitchen in an old Duluth home. This time, the hand slides down the front of his sweats.

“Oh fuck,” he murmurs and extends a hand to return the favor. “I want you so bad.”

“You’re needy tonight, aren’t you?”

“How obvious was I?”

“More than usual, that’s for sure.”

Evan laughs. “Sorry. There was some locker room crap after the game today. I’ll tell you about it some other time. Tonight, I’m just looking for an escape.”

“Wish I could give you more of one. You and Jackie were both in moods, I could tell.”

“Thanks for being the glue. You doing alright?”

Bridget envelops his lips in hers and slides her hand in deeper.

“So I see,” says Evan when she comes up for air.

“How bad is it? Should I try to sneak over?” she whispers.

“I don’t know if—”

“Has anyone seen my tablet?” Bridget’s mother bellows from upstairs. “Greg, you are coming to give them a ride, right?”

Evan and Bridget’s hands withdraw from their respective spelunking expeditions, and Evan’s whole being droops. Jackie and Bridget’s parents barge into the kitchen from different directions at once, and the small talk leaves Evan with just one fleeting good-bye embrace before Bridget’s dad leads him and Jackie to the garage. Evan suspects some pretext when he takes an odd route to drop Jackie off first, but Jackie quickly pulls him in from any worries when she confirms his looming suspicions.

“Mark Brennan’s kind of your new bestie, right?” Her gaze, steadfastly out the window, belies her casual tone.

“You could say that. He’s a fun time.”

“Bridget says she’s worried he’s competition.”

Evan scoffs. “She beats him in some important departments. But we’ve got some things in common.”

“Like…”

“Like some weird family stuff, and liking to read, and being good at hockey even though it’s not the center of our worlds?”

Jackie smiles. “Is it true his dad is stupid rich? And that he ran off on his family with a prostitute after he knocked her up and made Mark?”

“I mean…”

“Sorry. Maybe not the best way to put it. But, you get what I mean.”

“Yeah. And yeah, that’s basically right. His mom is from here, so they moved back to a place up the Shore.”

“I loved how he dragged you out to the middle of the dance floor at Homecoming. And Bridget loved it too, even if she complained.”

It’s Evan’s turn to smile. “I know she did. He just…” he trails off at the sight of the glint in Jackie’s eyes. “He moves at a different speed, you know.”

“Yeah, I’ve heard the rumors.” Jackie sighs. “Is it actually bad?”

Evan becomes aware of Bridget’s dad’s intense interest in their conversation. “I…” he fumbles. “I don’t know what to think, actually.”

“You’d tell me if I should worry, right?” she asks as the car pulls up to her house.

“Of course,” Evan says, almost convincing himself. Jackie gives him a perfunctory hug, thanks her chauffeur, and makes her exit. Bridget’s dad drives Evan in silence for a few blocks until he starts choosing some words.

“That Mark is the new goalie, right?”

“Yeah.”

“I work with Nick’s dad, you know. Tough spot there.”

“Oh. No. Sure.” Evan says, less confident with every syllable.

“Says the new kid is pretty cocky. Has some private coach who jets in.”

“He’s not wrong.”

“And hearing what you just told Jackie…”

“I mean, he’s—”

“Look, you’ve been great to my little girl, as far as I know. Just make sure you’ve got people around you who act the same way. Okay?” Evan can see that his driver is sheepish, doesn’t quite know how to say what he thinks. His immediate reaction is defensive: of course he treats Bridget well, and everyone knows he’s the one hockey player who follows his own beat. But a nagging doubt lodges in his mind and starts to eat away: for all that independent thinking, he always wants to blend in, to at least be part of the party, and when a fellow contrarian did come along he’d glommed on to him immediately, admired that reckless push even as he himself stopped short, saved not by virtue but by anxious indecision. That choice now feels like a troubling one. And then there is the matter of his after-school sojourns in a steamy car with Bridget, where he cautiously but purposefully asks her to try more and more new things…

“Don’t worry,” Evan says after far too long a pause. “Mark’s fun, and he’s super smart too, but his style isn’t my style.” There: an answer with no lies. Is it odd that trying to choose his words so carefully leaves him feeling somehow shifty?

Mercifully, Bridget’s dad turns the conversation to hockey, and Evan is free to gush about the chemistry on the top line where he’s been installed as the right wing, about the potential of some of the sophomores. Bridget’s dad is a basketball man, but he knows enough to carry his side. He asks Evan to explain the junior hockey system to him, and Evan lingers in the car when they arrive at his house to explain that yes, he sure does have a few scouts looking at him.

“So you think you’ll go that route after high school?”

“Probably. Hockey isn’t my life, but if I’m good enough, I’ve only got one shot, right?”

“Do you tell the scouts that?”

“I do. Good way to see if it’s a good fit or not.”

“Huh.” Evan surges with pride when he sees he’s made an impression. “Bet they don’t get many kids who work them like that.”

“They’re the ones who think it is life—more than the college coaches, they at least have to talk about academics. I don’t love it, but yeah—gotta play the game, or else it’ll play you.” He stole that line from Mark, but decides not to volunteer this fact.

“Sounds like high school hockey’s turned into a business sort of like that, too.”

“Sometimes. What it does have is way too much drama.”

“News flash for you, the real world’s pretty much the same. A lot of people end up playing the same roles, year after year.”

Evan, stops short at this unexpected, possibly bitter insight. What is his role, exactly? Today he was a peacemaker, or tried to be; most of the time, he is the hard worker at some remove, the devoted boyfriend, a worrier who nonetheless finds his ways to settle things. He could do a lot worse, he figures. But could there be more?

“Thanks for the ride.”

“Of course.” Bridget’s dad starts to say something else but stops, and the words he settles on are exactly what Evan needs: “Keep doing what you do.”

Evan checks his phone as the car pulls off. He has ten minutes to spare before curfew. Gifted this extra time, he does a lap down his block, silent in the December night, its stillness interrupted by only a few winking Christmas displays. He busts out one of the breathing exercises his mom taught him after she started dabbling in meditation, and for a few seconds he tames the evening’s myriad frustrations. He exhales and looks up at the sky.

Suddenly he is back at the hunting camp his dad kept with a few friends, 11 years old, the year his mom finally agreed he could go. The whole affair was a total fiasco. Evan had shamed his dad as he trembled when he held the rifle, recoiled in disgust when another man brought home a deer, suffered the mockery of the other boys in camp for his cluelessness at it all. By the second night he ignores everyone in the shack, tucks away in a corner, reads the hiking-related sections of leftover outdoors magazines by flashlight. But then his dad coaxed him from his sleeping bag to see the stars, and they’d been rewarded with a slight glimmer of the aurora, a triumph that made the whole ordeal worthwhile. He’d beamed in delight, and his dad had swatted him lightly on the back of his head and called him his lucky star.

It should be a cherished memory. Instead, the intervening years have made it a queasy one, and as he gazes up at the stars peeking through wisps of cloud his stomach knots up again, any peace brought on by his mantras lost to the great night sky. That night his dad had seemed an ideal of manhood, but he gave up any such claim with his final choice. Evan is left now with Bridget’s kind but waffling dad, a coach who punts on addressing the looming tension, and the likes of Mark’s dad, a cold, distant figure. There are no answers, save in those deep corners of the internet he sometimes probes with a queasy curiosity. He’s losing control in the face of that void, lapsing not into his dad’s depression but into his own frantic nerves and coping through retreats back into himself, a safe but lonely place.

            He snaps back to that afternoon. He’s set up in front of the net on the power play, scraps with a defenseman to create a lane as a teammate weave through the zone. He waits until his marker turns to track a pass back to the point, takes three quick strides out to free up space, wheels around just in time to collect the blind pass and snipes a one-timer into the back of the net. He normally disdains gaudy celebrations, but this is such a satisfying, high-caliber goal that he can’t help but drop to a knee, cock his stick like a rifle, and fire a fake shot before he pops up to hug his teammates. That’s the power he needs.

Evan grins to himself and sprints back up the block. He’s halfway up the front steps before he registers the light flooding from the house, not just the one stray lamp his mom usually leaves on for him. Something is up. It isn’t curfew yet, is it? Has something happened in the family? Does she somehow know what he and Bridget did in his bed last weekend? He pushes the door open.

“Bout time, you lovebird.” Evan does a double-take at the sight of Mark at the dining room table across from his mother.

“You have a visitor,” Charlotte says in bemusement at her gawking son.

“Wha—how long have you been here?” Evan asks.

“Two hours, maybe?” Mark looks to Charlotte for confirmation, and she nods. “Since you ignored my third call. You do make me work, you know.” He sips idly at the tea in front of him and pours a serving from the pot on the table into a waiting third mug.

“Sorry, didn’t think…” Evan mumbles. “Sorry, Mom, there was some stuff after the game today, I should’ve…”

“Mark’s told me all about it,” she says. “Though for the past hour we’ve been on Aunt Cathy’s work in Mexico. Did you know that Mark’s been to a dig site in Egypt? You’re both amateur archaeologists!’

“Evvy knows how to dig deep,” says Mark. “Why we love him.”

Evan is too incredulous to groan. “And here I thought I was going to bed. Can I put some of the rum in my tea?”

“You promised no drinking during the season,” his mother chides him, a laugh still on her lips. “But I will leave you two. I’m sure you have more pressing things to talk about than Aunt Cathy scolding you for brushing the artifacts too vigorously.” She gets up and hugs her son, and he returns it a moment too late, sheepishly.

“Thanks for the tea and chat, Mrs. Evvy’s Mom,” says Mark. “Next time you gotta tell me how Evvy introduced you to Bridget. You just had to tease me with that one.”

Charlotte giggles. “Behave yourselves, and don’t stay up too late.”

“Dope.” Mark watches as Evan’s mom goes up the stairs, and as soon as she’s out of sight, he goes to the liquor cabinet and tips some of the rum into his teacup. Evan slumps into a seat and shakes his head when Mark offers him the bottle.

“You’re such a good boy.”

“You’ve got no limits, do you?”

“Who’d ever want that?”

“Some of your teammates, for one.”

“Damn, Evvy’s firing shots.”

“Honestly. What did you think of what happened after the game?”

Mark returns the rum to its perch and sniffs at the contents of his mug. Evan tries to read this pause, to discern if the hand brushed through those flopping locks is one of exhaustion or a vain restoration. He is here, clearly troubled, or at least in search of something from the closest thing he has to a friend in his new home. But what? Forgiveness? Commiseration? Some blurry mess of all the above?

“For the record, your mom did straight-up offer me a drink.”

“You’re kidding me. She’d never do that to me.”

“Have you ever asked?”

Evan shrugs, concedes the point.

  “I’ll say this, she read me as well as anyone ever has. She coulda just told me you weren’t home. I can charm, I know that. But she just gave me two hours.”

“You actually talked about today with her?

“I didn’t exactly quote myself. But, yeah. Why wouldn’t I?”

“Most of us don’t do that with their friends’ parents.”

“I’ve never been most of us.” It suddenly strikes Evan how, for all his wealth, for all the heads he turns, Mark must be truly lonely in his path through the world.

“What did you tell her?”

“That I fucked up and said too much. And that I was here to apologize to you for putting you in that spot.” Mark sips from his mug and bores his eyes into Evan’s.

“Well shit. Thanks.”

“Did you think I wasn’t sorry?”

I mean, you didn’t sound it.”

“Fair. I wasn’t, in the moment. But I stopped and I thought and, well, here I am. The gates of hell are always open. Going down’s the easy part. Coming back up is where you gotta work. But Evs…no matter how much I get handed to me, I’m gonna work.”

Evan smiles. “So I do think you should start the next game.”

“That’s right you do.”

“And what you said about Jason, and the seniors…I mean, it was brutal, but…you know, there’s something there. Life is more than some endless party with the boys. Gotta get out and see so much more.”

“Knew you were mine all along.”

Evan laughs. “You should still probably do a real apology, though.”

Mark sighs, sets down his mug, and pace the length of the dining room.

“I will. But only when the moment’s right. When I can fire em up and make em think we came together as a team or whatever.”

“There’s always a grand plan, isn’t there?”

“Sure is.”

“Marky, I love ya, but you’re the weirdest team player I’ve ever met.”

“Guess when you get raised like I’ve been, you get weird ideas of what it means to be part of a team. Who would’ve guessed?” Mark picks up a piece of the banana bread and munches his way through it. He appraises Evan, who is starting to fade into exhaustion, rubbing at his eyes.

“Does make me wonder, though. Why are you such a team player? You’re the rebel against just being one of the boys, maybe even more than me, but you almost do more than anyone to keep it together.”

Evan snaps to attention and takes a piece of bread for himself before it disappears. “Because I’ve lost things. And when you lose things, you hold on tighter to what you have.” He sniffles, chokes up, hates himself for it, and then jolts in shock when Marks wraps a hug around him.

“Evs, you feel it deeper than anyone I’ve ever met. And that’s what makes you the best.” Mark slaps him on the back and releases him. “But get your shit together now.”

The boys both laugh. Evan assumes a casual lean against the kitchen doorframe, at ease even as he dabs at his eyes. Mark is right: his emotions seem so vivid compared to the facades on so many as they drift through the world, whether he is on the ice or in the classroom, stealing time with Bridget or probing at friendships, even when he sits down on the beach and feels the pull of a radiant summer day along Lake Superior. He feels it, he feels it deep.

“Sorry I get like this some.”

“Don’t be. I admire it. And it hits different for me, but I know the feeling.”

“Yeah.” Evan nods and pulls himself up from his lean. “I can tell. You’ve got things you feel real deep, too.”

“We both get it,” says Mark. “Never trust anyone who doesn’t.”

“How do you know if someone doesn’t?”

“Fair question. But I like to think I’ve got a good eye for it.” Mark barely misses a beat, still chewing the bread. “Hey. Bridget and Jackie are BFFs. You think Jackie gets it?”

Evan is caught between a laugh and a groan. “She does. But she’s sharp, you know. You’d have to work for her. Way more than with…well, all the other ones.”

“Game on, motherfuckers. Think I’ll host a party next weekend. Show the boys some hospitality to make up for today. Though I’ll have my own agenda.”

“Dude, you never quit, do you?”

“I think you know my answer.”

“I’m not sure anyone can keep up with you, honestly.”

“I got my pace, Evvy. No apologies.”

“It feels…manic, almost. Are you sure you’re doing okay?”

“I’m fine, yeah. But I’m here to be way more than fucking just fine.”

“Yeah. I know what you mean.” Evan says it automatically, but it is true. He knows exactly what Mark means.

“Of course you do.” Mark beams as he rediscovers his enhanced tea and polishes it off. “Mind if I crash here?” Only now does Evan notice that Mark has come with a small duffel bag packed for the night.

“Do I have any choice?”

“Evs, you’ve always got a choice. You could kick me out and invite over Jason and Nick if you want. You’re the heart and soul of the team, everyone knows it. Up to you to decide the culture you want.”

“You’d better make this a damn good apology.”

Evan sets up the air mattress in his room, a process drawn out by repeated consultations with the directions and ample hushed swearing. When Mark goes to clean himself up in the bathroom, he finally responds to Brody’s five unanswered texts, and ropes in his linemates for good measure: ‘Talked to Mark tonight. He’s sorry for this afternoon. And he’s the best we’ve got. Gonna ask Coach to start him on Tuesday.’ He relishes the responses, first gawking and then promising support. The coup is under way. Mark will claim the starting job and won’t release it until his graduation.

Pleased with his work, Evan braces himself for pillow talk and further dissection of Mark’s social standing. But instead, Mark drops on to the freshly made air mattress and fishes a yellowing, hardcover book from his bag.

“What’s that?” Evan asks.

“The Aeneid.”

“The hell is that?”

“Evvy, I expected better of you. You philistine.”

“Something from an old white dude who’s been dead a few thousand years. Okay.”

 “Virgil. Story of how Rome got built. This bro Aeneas is one of the losers in the Trojan war. Spends a long-ass time wandering in the wilderness after it. Way worse off than Odysseus, though at least he got to bang Dido for his trouble. And now he’s about to get with this Latin princess. My kind of stud.”

“Escaping your parents’ Trojan War and starting your own empire. I get it. But aren’t there some wolves involved somehow?”

“That part comes later. But we’re in northern Minnesota, I’m sure we can find some around to fit the script.”

 “Alright Mr. Wilderness. I’m taking you to the Boundary Waters next summer.”

“Bring it, bro. Let’s build our Rome.”

Angels and Demons in an America Left Behind

It is dangerous to ask fiction to always be relevant, but when skilled writers reach for themes close to the heart, I can’t help but pick them up. Tales of Rust Belt cities or rural former mining towns have immediate resonance for me, and based on the evidence of thirty billion Trump era thinkpieces and resulting Ohio senatorial campaigns, I am not alone. Fiction at its best can tie themes together on more emotionally resonant levels than exacting reporting ever can, and two recent novels dove straight into this territory, telling two stories of children who come of age in forgotten places and cope in diametrically different ways.

The Rabbit Hutch is the tale of Blandine Watkins, nee Tiffany, who shares her apartment in the titular affordable housing development with three boys who, like her, are fresh out of foster care. She has a tortured relationship with her hometown, a fictional Indiana Rust Belt relic named Vacca Vale. (This city name, alas, only made me think of Vacaville, a wonderful Spanish-English mash-up of a name for a California city just north of the Bay Area.) She wanders the streets and tells the tale of her city’s decline, endures floods as its climate shifts, and becomes the lonely defender against a planned development in a cherished park named Chastity Valley. She takes on the name Blandine to channel one of her heroes, the early Christian female mystics who stood as lonely voices of protest against corrupt, crumbling systems. Whether she is a martyr like the real second-century Blandine is a question left to readers of this debut novel by Tess Gunty.

Like many first publications of American MFA program offspring, The Rabbit Hutch tries to do a lot, its voices not all consistent. Gunty, a South Bend native and Notre Dame alumna, clearly knows her territory, recasting Studebaker’s decline in that city through the tale of the Zorn Automobile Company in a wrenching examination of the remaining ruins. (Vacca Vale seems to lack any golden domes that might keep the outside money pouring in.) On the flip side, the threatened redevelopment of Chastity Valley is cartoonish, the sadness of Blandine’s teacher seducer an eternal cringe. I thought the whole thing could have held together just fine sans the amusing, meandering story of Moses Blitz, the exhibitionist who spurs along Blandine’s rapture. (Perhaps this should have been novel number two.) The undercurrent of absurdity built through digression after digression takes oxygen away from the reality of the rabbits in the hutch, too many of them left to too small parts in Blandine’s drama.

Blandine’s drama, however, can carry a story on its own. She brushes up against the other Rabbit Hutch inhabitants, all seeking some stability in chaotic lives, in a series of poignant set pieces. Her three roommates fall into tropes but all illustrate something valuable: social media pretty boy Malik, aloof Todd, and everyman Jack, who takes the narrative reins to rationalize the absurdity of the whole affair. Gunty’s decision to let Todd illustrate the novel’s climax in drawings adds a twist to Blandine’s long-foreshadowed fate, one of many bold thrusts by our author, whose creative range is wide enough to make the thing worth reading and hope she returns to Vacca Vale for more.

Gunty had the misfortune of emerging at the same time that a great institution of American literature took up some of the same themes. Barbara Kingsolver has been churning out bestselling literary fiction for years, and last fall she provided an update on Dickens’ David Copperfield in Demon Copperhead, its characters reborn in turn-of-the-millennium Appalachia, stripped of their Victorian morals and cast adrift in a sea of heroin and meth and Oxy. A 67-year-old woman surges out in a teenage boy, keen in his insight and dry in his humor, wrenchingly tender and hard as nails, descending into the deepest recesses of an American hellscape to produce one of the more compelling narrative voices I’ve encountered. Kingsolver’s book was one of the most absorbing I’ve read in years.

Demon Copperhead, nee Damon Fields, is born to a drug addict mother in a single-wide in Lee County, Virginia. His dad died in a place named the Devil’s Bathtub, and until the foster care system intervenes he is raised largely by his neighbors, the Peggotts, who are themselves raising a grandchild of the same age left behind by an incarcerated mother. He bounces from home to home, treated horribly, his only support from other kids, most notably the alluring Fast Forward, a magnetic high school football star who introduces ten-year-olds to pharm parties. Even when Demon secures an intervention from his rigid paternal grandmother and seems to reach a clear road through middle school, his own athletic success writes a prescription for his undoing. What follows is a brutal tale of addiction and life on the edge, an immersion in the inner workings of a boy still somehow seized by an instinct to persevere.

Demon and Blandine are twinned orphans of American collapse. Demon gets subjected to exploitative foster parents, though finds some support in inspiring teachers; Blandine wins the foster parent lottery, but gets wrecked by the teacher who takes her under his wing. Eminently practical Demon learns how to play the game and get by in any situation, which in Lee County leads him straight toward trouble; Blandine seeks a transcendent plane above her besotted surroundings, only to have them come crashing down on her naiveté. Hopes and dreams for either of them would imply an escape from their stations, yet Demon comes to own his roots, while Blandine is Vacca Vale’s most ardent environmental champion and/or ecoterrorist. The U-Haul escape is never so easy as any outsider might think, especially where there is a creepy snake of a man named U-Haul filling the role of Uriah Heep to Demon’s David Copperfield.

It is worth pondering Demon’s fate for a moment to see how far the world has come since David Copperfield. Dickens’ orphans, after all, did not have to contend with the pill mills of Appalachia, and that era’s concerns about sex look quaint in retrospect. There is a quiet but present Wendell Berry-style lament about modernity in Kingsolver’s prose, as successive generations of Appalachians lose touch with the skills necessary for self-sufficiency and the deeper cultural byways (sustained, in Demon’s world, by a Black transplant form Chicago), all flattened by mass media and consumer capitalism and doped-out societal collapse. But at the same time there are more ladders out, more however imperfect supports, more pathways for the Angus Winfields and June Peggotts to rise up and then return and tackle injustices head-on. And while New York Times reviewer Molly Young finds Demon’s eventual fate sorry in comparison to Copperfield’s ascend to Dickensian fame, it is also far more realistic: maybe Damon Fields can’t be a global celebrity, but maybe he can be a clean, decent guy with a loving girl who looks out for his people and provides stability in a place that needs it. If that is a condemnation of this era, may we all be so damned.

I’ve become increasingly convinced that contemporary fiction is at its best when it can take the slightly longer view. I have yet to read a tale of the Covid-19 pandemic or Trump Era America that truly compels me; these works always seem freighted with a try-hard quest for relevance, and wear their politics a bit too brazenly, and the climate change and redevelopment angles of The Rabbit Hutch fall right into that vein. Far more powerful are the retrospectives like Jonathan Franzen’s Crossroads and now Demon Copperhead, which look back across a few decades with sage eyes. Somewhere in here lies the enduring power of the social novel in an era of information and new media overload: it allows for meditation, for slow thought, for careful processing of what has transpired in a lifetime. It escapes the noise of the zeitgeist to pick out what should endure. (The great novelists who do write in the present, like Sally Rooney, achieve the same state by stripping out the superfluous details and allusions, boiling their prose down to the essentials.) Twenty years on from the start of the opioid epidemic, Kingsolver’s thundering moral authority punches harder because we, as readers, know exactly what will come of it, and while some of her jabs at the system that created hillbilly elegies land better than others, they all add up to an undeniable truth about the nation it has wrought. Her work is no less political than The Rabbit Hutch, but time allows it to get the perspective a bit more right.

Both The Rabbit Hutch and Demon Copperhead are deeply invested in their young protagonists. There is a risk here of sentimentality, of falling too far in love with these kids battered by forces beyond their control who nonetheless dream of more. But while not all fiction can have happy endings, neither can it all be portents of doom: it can instead tell a story that stands alone outside of any great arcs of progress or decline, speaking for itself and any relevance felt on a deeper plane by its readers. Moreover, great social novels not only reveal reality as it is or was, but can also nudge their readers, however gently, toward belief in something more. Somewhere in here lies the triumph of storytelling, an experience both immersive and thought-provoking that is more necessary than ever in a world of endless digital distraction. This is what good fiction should do.

Signposts at a Crossroads

Jonathan Franzen comes along with a great social novel about once a decade, a tale of family conflict that strives to capture something essential to its moment and something timeless about relationships between people. The first, The Corrections, tracked a St. Louis family coming back together at the home of its matriarch and patriarch for one final Christmas together in the 90s. That novel was well ahead of its time in shedding light on the strains between generations in an increasingly digital world, and it got Franzen into a spat with Oprah to boot. The second, Freedom, followed a Minnesota family as it crumbled in 00s America, wrestling with the American ideal of limitless freedom through several very limited individuals. Once again, Franzen’s critiques appeared prescient, and his tale’s sprawling ambitions suggested that the novel, if perhaps not this one, could yet be the most perfect vehicle for a summation of the human condition.

Now comes Crossroads, which, we are told, is the first in a series of three, a saga that will be Franzen’s modern-day answer to George Eliot’s Middlemarch. The novel takes place in suburban Chicago in the early 70s, the sort of placid, comfortable environment where Franzen likes to unleash his mayhem. (Some of the street names sound suspiciously like those in the towns where my mother grew up in this era. Like Freedom, Crossroads eerily manages to nail a place that has figured in my own life.) In this world we find associate pastor Russ Hildebrandt and his wife and four children, ready to take us on a journey of sex, drugs, and impulsive decisions.

The historical setting is one of the great strengths of Crossroads, and Franzen succumbs to less of his instinct to make it every event relevant on a world-historical level than he did in Freedom: he mostly lets the milieu do the work for him. This is a good thing, in part because I am skeptical that the world is ready for a literary novel on what has transpired over the past five years of American life, and in part because it is a rich inflection point for mining. It is the point when the edginess of the 60s went mainstream, the party coming to a close and the world left to reckon with the growing cracks in so many of its institutions. Any similarities between the present moment and that frequent point of comparison, another era of a widening gyre, are shown but not told: the certainty of the depravity in some lifestyles, the cloying religiosity in some bourgeois liberal circles, the chasm between white good intentions and the realities of Blacks in Chicago or Navajos in Arizona, a sense of great cultural change, and dents in the myth of moral progress.

Crossroads is the name of the Christian youth group that makes and breaks the fates of the Hildebrandts in varying ways, but each member of the family stands at his or her own crossroads. For Russ and Marion, it is fundamentally about the fate of their marriage, and whether they dare now explore various paths not taken as they seek to reinvigorate their lives, whose suburban staleness is again shown but never forced into that classic trope. Clem, their eldest son, consumed by an intense moralism he has inherited from his father, must decide how far his commitments will take him and wrestle with the shadow of said father. Becky, Russ and Marion’s daughter and queen bee of the New Prospect social scene, must reconcile her ambition, her newfound love for a boy, and her own more subtle but nonetheless intense search for certain standards to live by. Perry, the middle son, is a precocious schemer on a quest for alternative states. Nine-year-old Judson, meanwhile, is a point of projection for his family’s belief in innocence, and I am luridly eager to see how books two and three treat this poor kid surrounded by a family that is largely indifferent to him.

I’m not sure if Crossroads is Franzen’s best writing, but it is perhaps his best storytelling, and his character development has reached new heights. On the surface, the characters in this book are no better than those in The Corrections or Freedom, yet I found myself ever more compelled by his ability to suck us into these very flawed humans’ stories, a skill both subtle and magisterial. Russ may be a sorry cad, but the depth of his convictions almost has the reader rooting for him to pull off his affair. Becky, desperate to rise above the fray around her and put herself on some higher plane, comes across as the most levelheaded of the bunch until Franzen suddenly pulls us back to see what her decisions, both intentional and unintentional, have done for all her family members and to her own dreams. Perry may be the most sympathetic character ever to appear in a Franzen novel, an astonishing feat considering that he is an amoral addict who sells drugs to middle schoolers. Both Perry and Becky had my heart beating a little faster for how they pulled me back into certain states of mind, ones that may have reached their apogees in high school but never truly went away.

If there is an actual hero or heroine to be found in these pages, though, it is Marion: tortured, pushed to the brink, but able to find a flawed human grace in her moment of crisis, to see her fantasy for what it is. She is the anti-Russ, a chaotic mess of feeling with no firm belief to stand on, but her fevered quest to find it resolves into Crossroads’ most unambiguous triumph. After Russ grovels before her in an attempt to win her back, she gears up to return the favor. But instead, Marion rejects of the confessional culture that now dominates contemporary relationship discourse, and for that matter in the trend of literary fiction toward an intensely autobiographical sub-genre called autofiction. Maybe Marion does not need to tell Russ everything, can live with certain secrets, can accept some burdens as part of her inner life to build a story of perseverance so that she can give the best of herself to Russ and to Perry, the two people who most need her. More than any of the other Hildebrandts, she comes to a crossroads and finds a clear road ahead.

Faith lurks near at hand for each of the Hildebrandts, with the deeply confessional Crossroads—a setting in which scheming Perry excels—as its backdrop. For Russ, faith is a moral calling and a way to convince himself he is doing the world some good; Clem sees the gap between his father’s beliefs and actions and goes into full oedipal revolt. Marion, after a descent into purgatory, rediscovers a raw sort of grace, while Becky seizes upon God as her orientation to the world for thinner but not unrelated reasons. Perry chooses other gods, but, in one of the novel’s most memorable scenes, agonizes over the meaning of goodness and his own inability to reach it. It is as honest a treatment of faith and the search for it as I can recall in fiction, made all the more powerful by how much the traditional trappings have faith have fallen out of the circles in which most readers of Crossroads reside. Once again Franzen is a countercultural iconoclast, but pulls it off subtly, raising doubts through the best vehicle for creating them: complicated yet lovable humans.

Crossroads is not a perfect novel. Franzen’s endings are usually moving and powerful, but the denouement in this one, which sets the stage for part two, doesn’t quite clear his very high bar. Clem’s storyline is a relatively weak one, the teenage speech is occasionally off the mark, and certain Franzen tropes recur: the sorry patriarch, the matriarch’s lurching therapy, the cool musician friend sweeping the girl away. Other critics have lingered on the relative flaccidity of Franzen’s prose compared to his earlier work, though if this is the price we pay to drop some of the preachiness of earlier Franzen, I find it a worthwhile tradeoff. The more mature Franzen has dropped some of his old pretense, and much like Marion at prayer, his writing has its greatest power when stripped of its adornment.

My birth as a writer owes a certain debt to Franzen, the grumpy Great American Novelist who opened my eyes to the power of contemporary fiction. I was so absorbed by the hype Freedom that my mom sent a copy in a care package while I spent a semester in Mexico City, and by the next summer I was in a brief, unfortunate phase of life where I thought I might be able to make a living as he did. Franzen showed that fiction really can reveal something about the world as it is, and even when he whiffs, his work is worth reading. I can’t recall the last time I inhaled a book so deeply, as addicted as Perry Hildebrandt to his drugs, and he may yet be a gateway to more fictional pretensions. For now, though, I’ll settle for eagerly awaiting part two, convinced again that a novel can indeed give us some insight into which paths to follow in the meantime.

The Snows of Lesser Peaks

The new kid drops into the seat next to Evan. He suppresses a sigh. This is the last thing he needs, this chatty rich New Yorker in his pastel button-down and boat shoes. Granted, his parents’ well-timed divorce conveniently filled a hole on Evan’s hockey team with his goaltending skills, but as he watches the kid brush his blonde swoop of hair into place and check it in his phone’s camera, Evan is struggling to remember why he’s let this kid drift into his orbit.

“C’mon Evs. Gotta make some girls thirsty.” Mark snaps a photo of the two of them and blasts it out to his not-insignificant following.

“Not in the mood.” Evan pulls his sweatshirt hood up over his cap and retreats into his shell, even though it is a sticky, 90-degree day in the Twin Cities. After five summer tournament games in three days his muscles ache, his gimpy ankle flares up, and he would like to do nothing more than shut out the world and read a book on the bus ride back home. Bridget is gone for the week at her family’s cabin, so there is no cuddle in a hammock waiting for him back home. His mom won’t be home until late, and he’ll have to come up with his own meal. His aunt and cousin are coming up for the weekend; he needs to clear enough space on his floor to add an air mattress for Colin. He is a strange bundle of nerves, tense all over, a feeling he remembers only from that summer two years prior when his life turned upside down.

Mark tugs at Evan’s hood with a finger. “Moody Evvy is my favorite Evvy.”

“Oh, fuck off. And don’t call me that.”

Mark’s smile only grows wider. “God. Love having a bro who can see through all the bullshit.”

“At least someone else can see that it’s bullshit.”

“Aw yes. You in deep.” Mark fires off a few replies to the immediate comments on his picture. “Can give you an escape tonight if you want.”

“What you got?

“My dad’s gonna get me some booze when he picks me up. We can pregame before we go to Jack’s tonight if you want.”

“Bridget says I’ve been partying too much since you moved here.”

“Yeah, I think I’ve seen you have two whole drinks. Real rebel there.”

“It’s not that. I’m just not in the mood for a big group.”

“We could just hang at my mom’s. She’s having a girls’ weekend down at the casino, got herself a room.”

“Is every weekend girls’ weekend for your mom?”

“Pretty much.”

“That does sound like more my speed right now.” The words come out before Evan can even think.

Mark beams. “You just wanna chill and read on the way back?”

“Uh, yeah. That exactly.”

“I got your back, bro.”

“You’re my hero, Marks.” Evan exhales and fishes a book out of his bag and sets in. A teammate wanders forward to ask them about the team hangout at Jack’s, but Mark brushes him off with a casual swat, says he and Evan may need an evening as lovers together. Evan finds it in himself to laugh before he retreats behind his cover.

Mark tunes in and out of the conversations behind them on the bus: one kid’s struggles with a girl, the rehashing of another’s sloppy day on the ice, a group hammering away at some game on their phones. The same old high school baseline in every row, save in this kid next to him who now wears a contented smile. Mark’s eyes alight on the book and he wonders if he’d have the balls to sit here and read in front of his new teammates, even if he had some good material. He settles for scrolling around a map of Duluth on his phone, finding the town’s best hidden parks and escapes he’d gleaned in a team poll the night before. He glances at Evan every few minutes but feels a foreign sense of respect, almost a reverence, and. only when the bus crests the green ridgetop of his new home does he ask the question.

“What’s that about?” He nods at the book and keeps his gaze down at the late afternoon haze over the river estuary that fans out before them.

“It’s about a trek in Nepal. The guy goes to find a snow leopard. But it ends up being more of a spiritual trip.”

“Huh. Like it?”

“It’s older, so some of the parts about the Sherpas are a little awkward. But…damn, it makes me wanna go.”

Mark looks at Evan sideways. “You a lil Buddhist or something?”

“I dunno about that. But that sort of journey…I really respect that.”

“Huh,” Mark repeats. He goes back to scrolling around the map. He decides that Evan’s contributions to the list are by far the most alluring: tucked-away old ruins in the woods or hidden spots along creeks, solitude instead of the crowds. He gazes up at Duluth’s rocky spine, resplendent in midsummer green, houses clinging to the hillside just like his dad’s further up the shore.

“I’d go on that kind of trip,” he chances. “Not for all the God shit. But just to do it. To see it all.”

“Let’s go then,” Evan laughs. “Me and you, we’re gonna go on a trek. Get out there and live.”

“You mean buses to fucking Vadnais Heights in July ain’t living?” Mark laughs.

“Gotta find answers somewhere beyond…this.” Evan’s eyes flit back toward their guffawing teammates.

“Just don’t expect to find it in some god.”

“Why the hell is there a cross on your chain then?”

Mark fingers the chain around his neck. “To remind me that I have a cross to carry. And cuz it seems on brand for this world.” He waves an arm vaguely around him.

Evan laughs, then lowers his voice. “Sometimes I don’t even know if I want to play after high school.”

“Seriously, Evvy? You can be D-one material and you know it.”

“But there’ll be an end of the line after that. And you know this world, it’s not totally me.”

“Don’t let anyone on this bus hear you say that, they’d kill to be in your shoes. And it’s about more than hockey. They set you up real good. Good jobs, good money. To say nothing of the scholarship…”

“Right. I could use that. But I also want to do what I want to do.”

“What do you want to do?”

Evan shrugs. Marks laughs.

“I just…don’t want to do something just because it’s the path of least resistance, okay?”

“Got it. Hey. Maybe you can tell me which of these is path of least resistance.” Mark pulls up photos of two girls and flips back and forth between them.

Evan groans. “Is no resistance all that matters?”

“Not in the long run. Gotta get it right. I’ve seen that way too clear. But in the meantime…”

Evan averts his eyes and stands to collect his bags. They let themselves drift back into the chatter again, both offering vague noises over the plans for the party, and Mark follows Evan off the bus and down the sidewalk away from the group.

“You need a ride?” Mark asks.

“Nah, I was gonna take a bus.”

“Dude, we can take care of you. Why do you do that?”

“I just…” Evan trails off and shakes his head.

“My dad’s got you, don’t worry. And don’t be ashamed that your mom has to work.”

Evan grimaces and watches as a few of their teammates roll off in the cars their parents have bought for them. “Sometimes I think I was born in the wrong era.”

“Nah. You were born to bring something to this era that it needs.” Mark’s smile pierces through Evan and sets loose a torrent of new thoughts.

“Why Duluth?” The words jump out of Evan’s mouth before he can stop them.

“What do you mean?”

“You could’ve gone back east. Could’ve gone to some private school that would set you up for Yale like your dad. Why here, with all us shits?”

“I don’t think I need Andover to get into Yale if I play my game.”

“Andover?”

“Sorry. The prep school. In Massachusetts. Not the white bread Cities suburb.”

“Ah, got it. But…”

“I did the boarding thing for a year. Didn’t love it.”

“Yeah, but why not?”

“You bros are a lot more chill. And—” Mark breaks off and nods at the Bugatti snaking into the lot. Evan gawks at the approaching vehicle before it dawns on him who owns it. The car pulls up and the window rolls down. The driver is a stone-faced man with flowing white hair, collared shirt poking high up around his cheek, shades pulled down by his left index finger to scrutinize his boy. Evan flips his cap around from backwards to forwards in what he knows is a ridiculous attempt to look more dignified. The man behind the sunglasses merely stares out over the top of his lenses.

“We’re giving Evan a ride to my mom’s, too,” Mark says.

“Where are his parents?”

“Well, his dad’s dead and his mom works her ass off to make sure this kid can keep his hockey dream alive. So there’s that.”

“Get in,” says Mark’s father, still expressionless. “You gonna play D-one, kid?”

Evan shrugs. “If I can.”

“Which is why you just spent a whole bus ride talking about how you’re not sure you want to do that with your life,” Mark says with an eye roll.

“I mean, yeah,” says Evan. “But…” He gets it now: Mark’s father will want his prince’s confidante to be more than a dumb jock. “I want to go to a good college. Maybe study abroad. See more of the world.”

“You’ve traveled much?”

“Not really. My aunt’s an anthropologist, so we visited her on site in Mexico once. Otherwise we always go to the same beach in California. Or used to. But that’s about it.”

“What’s your mom do?”

“She’s an ER nurse.”

“And your dad? If it was recent…”

“Just two years ago. Outside sales.”

“How’d he go?”

Evan swallows. “Suicide.” He’s shocked at how easily the word tumbles from his mouth.

“Shit. You know that?” the elder Brennan asks Mark.

“I…we never actually talked about it. But I could tell it was…something not great.”

“How do you fight through it?” Mark’s dad asks. He takes off his shades and bores his eyes into Evan’s in the rear-view mirror.

“Well, we moved back here. To be by my mom’s family. It’s like her safe space,” Evan starts. “And—”

“Not her. You.”

“I…I make sure I take time to stop and think about him. Use him as a reminder that I can’t take anything for granted. That I gotta work for everything I can.”

“Good.” Mark casts Evan significant look, one of care and surging respect: he’s passing muster.

“Evvy’s my best bud on this team for a reason. Kid knows his shit.”

“Not well enough to escape all your shit,” Mark’s dad says. Evan cannot tell if this is a joke or not.

“He knows the game,” Mark says, aweing Evan with his well-practiced cool.

“Well that’s good. Play the game. Learn to win. But it’s all just part of the ladder.”

Evan nods vigorously. “I like the sound of that.”

“As you should. The world helps people who know that. Gotta get it. You boys need anything before I dump you at your mother’s?”

“Evvy’s got a soft spot for tequila.”

“You’re too young for that.” Evan blushes and tries to parse the thin smile playing around his driver’s lips in the rear-view mirror. He’d expected anger over his miscreant son, but instead he senses a sort of pride, an acknowledgment that Mark has shown his worth.

“If you don’t, Mom will just buy me cheap shit. Better to learn on good stuff, no?”

“Nice try. You as much of a little fuck-up as my boy, shaggy?”

Evan brushes at the hair fanning out from beneath his cap as he fumbles for words. “I…ride the waves, wherever they go, you know?”

“What Evvy means is that he gets it more than any dude on the team cuz he went and got himself one of the hottest girls we got. And he’s smart enough to keep her.”

“Thanks for translating he Minnesota Nice bullshit,” Mark’s father muses before he snaps his gaze back to Evan. “How’d you manage that?”

“I, uh, snuck her into my hotel room during the State Tournament last year.” Evan’s conquest is legend in the hockey world, but he’s never dreamed of telling an adult this story until now.

“Well now. Kid’s got some game.”

“Ya shouldn’t doubt me,” says Mark.

The Bugatti pulls into a liquor store parking lot. Evan and Mark sit in silence as its owner makes his purchases and returns with two stuffed bags, one of which he drops on Mark’s lap. Suddenly, Mark’s dad seems to have lost all interest in Evan. He grills his son on Hemingway novels on the way back, and Evan’s eyes widen as Mark answers the questions in rapid fire bursts: his life in Duluth so far is just like The Sun Also Rises only with worse fishing, come on Evan show me the good spots, he could use some Nick Adams time out in the woods, and yeah Dad aren’t you kind of just the Old Man fighting the sea?

Mark’s father doesn’t answer the question. He dumps them at the base of his ex-wife’s building and shoots off with only a toneless goodbye, Evan’s stammered thanks thoroughly ignored.

“Holy shit,” he mumbles as he watches the car gun up the street.

Mark exhales. “Filled the quota for Dad time for the next two weeks. But bro, no lie, that was the best any friend of mine’s ever handled him. You were magic.”

Evan purses his lips. “I…is it like that all the time?”

“Pretty much. Gotta flip that switch and be ready to go.”

“How can anyone keep that going all the time?”

“I don’t know, ask my mom.”

“And you…”

“What about me?”

“You’d always kind of made it sound like you hated him.”

“With everything I got. Gonna beat that fucker at his own game.”

“That’s…wow.”

Mark shrugs and shoves the bag of booze into Evan’s arms.

“But, thing is…I think he’d be proud of you if you did.”

Mark’s self-assured smirk slides off his face. “You might not be wrong.” He walks up the sidewalk to show Evan the conversation is over.

Mark’s mother has settled in a condo at the top of a building overlooking Lake Superior. An elderly couple in the opposite unit greets the boys as they exit the elevator, and Evan detects the hint of glee Mark takes in Evan’s cringe as he greets them like old friends and makes small talk: yeah we had a good tournament this weekend, had a couple shutouts and this kid got a couple goals, and here this is Evan isn’t he the best? Evan shuffles his feet and fails to look inconspicuous with his bag of liquor. Mark’s grin widens as Evan stammers about his mom and how happy the team is to have Mark now, and yes they’d been plotting a Himalayan trek on the bus ride back, didn’t that seem like a good adventure? The couple nods in shared pride, and the woman tells him that these kids these days, they sure are alright when you get to know them.

“That was mean,” Evan says as soon as they’re in the condo. Mark doubles over in laughter as he wrests the bag from Evan and places it on the counter.

“Too easy, Evvy. Too easy.”

“Just the way you like em.”

“Guilty as charged. Drinky drink?”

Evan gulps. “I mean, hell, why not?”

“Let’s try the tequila.” Mark scrutinizes the price tag but pulls it off the bottle before Evan can see it. He dishes out the beverages and takes a shot without batting an eyelash. Evan tentatively brings his glass to his nose, sniffs, and takes a tentative sip. He struggles to choke back his cough, but he needn’t have worried. Mark pounds his and retreats behind his phone without looking at him.

“Aw yes. Got a fish on the line,” he says.

“Well that’s rare.”

“Fuck off. Yeah, she’s gonna get the worm.”

Evan suppresses his groan and scrutinizes the shapely blonde out of central casting whose picture Mark waves in his face. “Who is she? I don’t recognize her.”

“Hermantown girl. Senior. I like chasing fish from different schools. And different years. Fewer witnesses that way.”

“I give you credit. How much of that bus ride was the boys giving each other shit for all the girls they say they’re gonna get? But they never actually do anything. It’s all talk. You actually get it.”

Mark beams. “I do. But you do, too. You went and got Bridget.”

“You don’t wanna know how long I was planning that, scared to actually go through with it.”

“That’s the thing, though. No one has to see that part. All about the results, Evvy.” Mark leads Evan out to the floor-to-ceiling windows that command two walls of the main room. The sun eases its way down in the west and leaves the calm vast lake a glowing molten silver. The condo feels overly sanitized to Evan, every bit the temporary landing place for two people rarely at home that it is, but the view makes him forget all that. After passing Papa Brennan’s tests he feels like he’s earned this commanding perch, could get very used to living like this. Now all he needs is a wife with vast sums of wealth, he thinks, worrying with sudden realization that he and Bridget could never pull this off.

“I see your mom’s finally decorating,” says Evan, nodding at an excess of ‘Live, Laugh, Love’ and ‘Faith, Family, Friends’ pillows that have appeared on the couch since his one previous visit.

“Give ya fifty bucks if you spill your drink over those,” Mark scowls.

Evan laughs. “If only life were so easy that a pillow could tell you how to fix shit.”

“Welcome to Hope Brennan’s world. You should see what she did in the extra room. Put up a marker wall.”

“I didn’t know she was an artist.”

“If you saw her art, you still wouldn’t.” Mark leads Evan to a back room, a lonely space with an unused exercise bike and a spare couch, a potential home office if the condo’s owner were the sort of person who had a job. One long, blank wall opens up as blank canvas for the boys. Mark reaches into a large tub, grabs a purple marker, and draws two stick figures mid-coitus.

“I didn’t see that coming.”

“Alright then, let’s see your Sistine Chapel here.”

“That would be kinda fun. Draw out a whole scene.” Evan takes a few more sips from his drink and sets to work on a green mountain range. Mark nods in approval and starts in on a lion baring its teeth around his loving couple.

“Can we go back to how much you kicked ass with my dad?” he asks. “‘I snuck her into my hotel room at the State Tournament.’ God, that was awesome.”

Evan shrugs. “Well, it’s the truth.”

“How did you even pull that off?”

“We’d been talking for a while by then. I was too scared to pull the trigger. Wasn’t sure what she’d think about a hockey player, Bridget’s no jersey chaser and she wouldn’t even go to games if I weren’t playing. And I wasn’t sure how okay she’d be with quiet nights where we just read and shit. But that whole school year we were both getting out a little at the same pace, and then we were in the same hotel, so I thought that was a sign. And I started thinking about it on the first night, how it might work. And then we beat Edina and it was like, if I don’t text her now, when do I ever? I was rooming with Aaron and told him about it and he’s like, yeah dude, you deserve it, I’ll get outta here and make it happen for you. Of course, he went and told everyone after, too…”

Mark genuflects in mock worship. “Just building the Legend of Evvy. Spreading the good word.”

“Made it awkward as hell.”

“Don’t hate, bro. I’m not sure you know how much everyone loves you. I saw that right away when I got here. Everyone said you were the best we’ve got.”

“Do I get a trophy for that?”

Mark beams even wider at Evan’s bitterness, his refusal to be content with mere respect. “You get to hang with me when I ain’t letting anyone else up here. Hope that’s an okay prize.”

“What an honor.”

“You gotta let me into your world too now. If we go to State this year, I’m your roomie and we’re having a four-way.”

Evan scoffs and starts adding a forest above the couch. He should have a snappy comeback here, but it eludes him. Mark, meanwhile, is content to fantasize and lets a dreamy gaze lay claim to his face.

“I would say sorry that my dad asked about your dad,” he says, intent upon his growing pride of lions gnawing at the limbs of the couple. “But you know I’m nosy. And I’m glad you shared that. You’re one fuckin tough kid for saying what you did, Evvy. I mean that.”

Words again fail Evan, who colors the leaves on his pink trees more vigorously.

“I’m serious,” Mark adds. “I know you don’t wanna turn it into a sob story. I respect you even more because of that. But you gotta be able to tell someone.”

“Thanks,” Evan says. “It…it felt good to say that out loud, actually.”

“I could tell.” Mark dumps a refill into Evan’s glass.

“God, you’re totally that kid they warn you about in middle school health class.”

“Because you never, ever had a drink and were a total virgin till you met me.”

“Hah, right.”

“Just letting you live how you want to. Were you one till that night you snuck Bridget in?”

Evan nods and turns away, ostensibly to peruse the marker collection for a new color.

“Makes the story even better. Way better than losing it on some sad hippie girl in seventh grade.”

Evan fumbles through the plastic bin and settles on puce. “Where are we going with this?”

“The Serengeti,” Mark says without missing a beat. He adds a herd of googly-eyed zebras who discern his lions’ carnage.

Evan stops to watch Mark work. The world swims around him. Has he ever been this drunk? He always has to be on the watch, make sure he gets home sober, make sure Bridget doesn’t scold him for going overboard. Right on cue she texts him and he provides a dutiful reply, but there is no real conversation, just assurances that yes, he’ll be around in three days when she’s back from her cabin. Tonight, though, he is free, under some spell cast by the collision between Mark’s obvious intellect and his crudeness, an assurance that he really can have it all if he wants it. He is in awe.

Time passes. They add to their scene and Mark continues to dole out the tequila, though at some point Evan registers that he’s pouring Evan far more than he is for himself. When Evan’s lines grows sloppy they drop the markers and head back to the kitchen, where Mark pulls out a collection of munchies and poses Evan with stray questions about his hypothetical Himalayan trek. The idea had never really formed in Evan’s mind, but the answers come easily now, and before long he’s looking up plane tickets and recoiling in horror at the cost of the numbers that swim before him on his phone.

“Would you use a Sherpa?”

“I wouldn’t want to. Want to do it myself. Unless that’s insensitive? I’d need to learn more.”

“Would you learn the language?”

“Enough to function, I’d hope.”

“Kay. And are we going up any actual mountains?”

“Like Everest? I don’t think so. People die doing that. Seeing it would be enough.”

“You’re so damn responsible.”

“The biggest mountains aren’t always the hardest ones.” Evan smiles to himself at his quip, but Mark’s eyes are back in his phone.

“Hm.”

“What is it?”

“My fish wants to get in the boat.” Mark brandishes the latest message from his would-be lover in Evan’s face.

“Well, shit. Want me to get out of here?”

Mark pauses. “I mean, don’t feel like you have to. We could both…or you could invite Bridget…or—”

“Don’t worry, man. I’ll go.”

“Sorry. Don’t want it to feel like I’m throwing you out. Honestly, if you wanna stay, I’d rather—”

“Nah, forget it…damn, I don’t even have a way to get home. I don’t want my mom to know I—”

“Don’t worry about it. I got you covered.”

“Sorry. I need to get a job so that I can—”

“You’re not going to do that either. We’ll take care of you.”

“Mark, I can’t take that.”

“Why the fuck not?”

“I…hockey is expensive. It’s hard for my mom to cover it all, and save for my college. You can’t cover all that.”

“I sure can.” Mark bores his eyes into Evan to show he is serious.

The full scale of Mark’s wealth immobilizes Evan. “No, you can’t do that.”
 “I can if I wanna make sure we can keep having nights like this. And doing it while you wait tables at fucking Applebees would kinda be a downer.”

“You’re drunk, Mark.”

“Drunk people are the most honest people.” Mark throws an arm around Evan and guides him back out into the main room, where they stare down at the lights on a ship waiting to enter the harbor. Evan chances a mushy smile, but Mark keeps his gaze outward, and Evan follows his eyes into the void of the lake. This night is exactly the escape he was looking for, but is that only because it is a step into a world he cannot afford, and probably never will? His new friend is a strange creature, both the teammate most like him and least like him all at once.

Mark walks Evan down to the lobby and salutes as his car pulls away. He jabs all of the elevator buttons on the way back up, stops to peer out on to every floor before he finally heads back to his mom’s place, where he goes to stand before the windows again. He checks his phone; his date won’t be here for another twenty minutes. He misses Evan already, wonders if he’s made a mistake. Maybe the two of them should have just passed out here together, drunk and pussyless but content. For that matter, did he come on too hard to a friendship that is only a month old? Was he too clingy, too desperately in search of a real connection? He frowns, idly scrolls through Wall Street Journal articles his dad has sent him without processing much. He thinks back to that question Evan had asked on the bus: why is he, a kid who could be anywhere, in this lonely loft in a lonely city, struggling to form any sort of connection?

The girl calls him. He lets her in the building and directs her to the condo. The place is a mess, he notices: bags of snacks strewn across the counter, a deeply dented tequila bottle atop the stove, his and Evan’s hockey bags abandoned atop the inspirational pillows and stinking up the whole place. Mark leaves the unruly scene and checks himself in the bathroom mirror, brushes his sweep of hair into place and finds a smile that looks cool without betraying how wasted he is.

The girl pushes open the door without knocking. He appraises his catch: shapely, wider around the hips than he’d hoped, but the blonde is indeed natural, and he rather likes the tired look in her eyes, the sense that she’s seen it all, even at seventeen. He has little patience for the naïve.

“Welcome,” he says. “Sorry bout all this, my boy Evan just went home. You know him?”

“Evan DeBleeker? I’ve seen him at parties, but he’s usually off with that one girl. He seems shy.”

“He’s the best. But he can do some damage, too.” Mark hoists up the bottle and pours the girl a generous shot. She accepts it and gazes around the apartment.

“Holy crap. You live up here?”

“Honestly, I’d rather we’d got a house, but my mom wants to pretend she got her New York glamor back.”

“What does she do?”

“She’s an artist. Which mostly means she’s a retired hooker who lives off the child support she gets from my dad for me.” Mark pours her a second shot.

“Oh. What does your dad do?”

“Screws over poor people, mostly.”

She shuffles her feet uncomfortably. “You’re even taller than I thought.”

“You’re even hotter than I thought.”

Her face is caught between embarrassment and eagerness. “Honestly, you’re the most exciting thing to happen here all summer. Every party I go to, it’s like, have you met the new Mark kid? Seen those pics he does?”

“I do have that effect on people.”

“You’re playing with all of us, aren’t you?”

“I’ll let you be the judge of that.” He puts an inquiring arm around her back, and she draws him in and lets him kiss her. She spins him around, an invitation to push her up into the wall. Mark lunges in for a few deep kisses slides a hand down toward her waistline. She pulls back and laughs, and he eases up, content. Yes: they have a rapport, much more than with the last three.

“Damn, boy. You know what you’re doing.”

“Did you doubt that I would?”

She laughs. “You have marker on your arm.”

“Evvy and I were coloring.”

“Coloring?”

“Let me show you!” he guides her into the back room and throws on the light to reveal the sprawling marker mural.

“It’s…an entire safari scene?”

“Yup. Not many people know about my artistic side, you know. I figured I had to let it out.”

“Yeah. I mean, the stick people getting eaten by lions? You’re obviously the next Van Gogh, Mark.”

“I try to be modest about it.”

“The blue giraffes up there are a real nice touch.”

“Yeah, I made Mount Kilimanjaro a little thinner than it should have been. But I had to leave room for the landing strip for the bush plane there…”

“What’s that beneath all the trees?”

“That was Evan’s contribution. But I think it’s a rhinoceros.”

“Can I ask why a safari?”

“It’s called symbolism.”

“Is this some weird roleplay crap?”

“Eh, not quite. Just want you to know what you’re getting into.” He pauses, isn’t sure he likes her troubled stare, but decides to let it loose: he is who he is, isn’t he?

“The giraffes are my mom, since she has a long neck and always gets into everything. The man-eating lions are so totally my dad. The herd of zebras who just blend in are my bros on the team. Evvy and his girl Bridget are the chimps fucking over in the corner there, he didn’t like it when I drew that part. I’m the dormant volcano. I didn’t put you in there, so I guess you can be Evan’s rhinoceros.”

“What the heck does that mean?”

Mark ponders the question. “Means I’m gonna be your guide. Gonna take ya every damn good love-making place this city has. I’ve learned from the masters. The best hidden little parks. Some of those old ruins up on the hill. Wanna get into Glensheen at night? I know the way. Best safari you’ll ever go on.”

“Didn’t you just move here a month ago?”

“I’ve made it mine.”

She cackles. “That’s what I like to hear. But…why? Why this?”

“I’ve been reading some Hemingway. Snows of Kilimanjaro.”

“You’re such a dork! I love it.”

“Whatever the hell Hemingway was, he sure as fuck wasn’t dorky,” says Mark, hurt coursing through him. He takes a swig from the bottle and hands it back to the girl, who struggles for words and instead follows suit.

“Sorry,” she says after she chokes down the drink. “I just love it. Here you are, nonstop shirtless selfies and little rap videos, hockey star, and what do you really do for fun? You draw safaris from old books.”

“We can do the shirtless part if you want.” All of Mark’s expectations for this hookup are gone now: it is merely that, and he was rash to ever expect more. He will take what comes, but he won’t ask her to go all the way. His line in the sand, he muses, eyes flitting to the cross on his chain on the chest that she now begins to massage. Pity.

The door bangs open just as the girl is getting into a rhythm.

“Marky’s still up!” he hears his mom yell. “Oh, he must have friends over, look, and—oh.” She rounds the corner, tipsy in leather and high heels, followed by a fellow dolled-up middle-aged woman with a hairdo twenty years out of date.

“Oh, shit.” Mark hikes his pants back up and tightens his belt as the girl shoots up to her feet. Hope’s eyes travel to Mark’s yawning fly and the bulge he has managed to tuck slightly off-center.

“Sorry to—oh, hi there.”

“Uh, hi.” Mark applies a mushy smile and, after an instinctive jerk of the hand toward the damning evidence, decides the more prudent move is to turn their collective attention elsewhere.

“You’re back from the nino already?”

“I just wasn’t in the mood.”

“Could’ve used a heads-up,” Mark mumbles.

“How old is he? Fifteen?” demands his mom’s companion, who is not one Mark recognizes. Her discerning stare conveys both sobriety and intense judgment, a formidable pairing. “I thought you said he read fat books for fun.”

“Not mutually exclusive,” says Mark, even quieter than before. The girl starts to laugh before she cuts it off in a strangled yelp. Mark, now that his drunk eyes look more closely, sees his mom is not in a chipper mood. His adrenaline surges.

“You okay?”

“I’m fine,” she says, with a rub of her eyeliner that assures Mark she is not.

“Think I might go home now,” the girl says as she pulls her shirt back on. Mark finds some confused sense of chivalry and collects her purse for her.

“Come on now, we can’t just throw her out like this,” says his mom’s friend. “She’s just had this happen to her and now…come on, do you need a ride home?”

“I have a car—”

“You’ve been drinking—”

“Not that much—”

“Cheryl, she’s had enough of a night already, we can put her in the guest room. Can you imagine her coming home to her parents now? Honey, here, we can pull out the couch bed.”

“You think she wants to share your apartment with this little pimp wannabe?”

“Hey, she had a fucking choice,” Mark yells, a bit more loudly than he’d intended. “She didn’t have to do any of this.”

“Fifteen, Hope. Fifteen and already just like his dad. Sweet-talking them. Manipulating them. Get past your mom genes and take some control.”

Mark’s anger ignites into an incandescent rage. “Who the hell are you? You’ve never even met me! If you ever think I’d do what that cheating sleazebag did to my mom…”

Hope throws her arms around her son, half in embrace and half in restraint, tears welling in her eyes. “Now Mark. Cheryl works with battered women, she’s seen some things. Let it go. We’ll all be alright. We’ll all be alright.”

Mark stares bullets of fury into Cheryl’s eyes. She seems cowed now, almost stunned. This, Mark gathers, is not the nerve she expected to trip. Suddenly he sees a different emotion in her eyes, one a million times worse than her condescending judgment: a hint of pity, a dawning understanding of what this spoiled brat has been through, torn between a father he hates and a mother who can only blubber. His eyes soften and flit to the girl, whose mortification is on a level unknown to Mark.

“I think I’ll call my mom. She’d want me to come home safe,” she finally says to break the frozen scene.

“I’m serious, sweetie, you can just stay here—”

“I’ll be fine,” she sniffs. She snaps her purse out of Mark’s hands and marches out of the apartment as purposefully as her tequila-addled legs can carry her. Cheryl chases after her, though the girl loudly tells this mystery woman to stay away. Cheryl pauses back in the doorway but Hope brushes her off with a wave. The door closes behind her.

Mother and son turn to each other and share a synchronized sigh. Hope sinks to the couch while Mark closes up the chip bags.

“Drink?” He lifts up the tequila bottle and gets the laugh that assures him he’s disarmed her.

“Your dad gets you top-shelf stuff, I see.”

“Sorry. I mostly had a quiet night. Just me and Evan and your marker wall. But then I got that text.” He looks down, frowns, zips his pants back up, and draws out a second laugh.

“Marky, I love you, sweetie, and you know I want you to be happy. But you’re scaring me these days.”

“You telling me you weren’t doing this when you were my age?”

She gazes around the apartment in a haze. “Not like this. Not about that.”

“What do you mean?”

“I don’t know.”

Mark had expected this response. He crushes the chip bag in his hands down as small as it will go, pulverizing its contents before he pitches it back in the cabinet. He is left to ask questions in his mind. How did his mom get her start? Some crude and thoughtless mining town kid north of here, not someone who’s been trained by an expert—an expert like herself who has dropped more than a few hints to her boy on how to make a woman happy. Did she, too, chase anything she could get at a young age, or was promiscuity merely a vocation? Is she the source of his hunger, or is Cheryl on to something, and is he the inheritor of his father’s predation? He solemnly swears to himself yet again to never, ever commit to a relationship until he knows it is one he can sustain forever.

Does Cheryl’s work with battered women include his own mother? Is that why they never talked to him about what was going wrong? Should he drive up the Shore right now and pound the shit out of his lecherous, scheming, wife-beating father? The man who is responsible for two broken families and thousands of outsourced jobs, but also for this condo for an unemployable ex-trophy wife, for all of Mark’s hockey training, for his hunger for canonical literature, the man who has him set up for Yale, or wherever else he may want to go? Suddenly Evan’s escape to the Himalaya sounds that much more alluring.

“You should see what Evan and me drew in the back room,” Mark says. “Come take a look.” He takes his mother by the hand and guides her before his scene. He doesn’t tell her what any of it means, just sits back and revels in her wonder at the scale of this creation, this reminder that this bursting vessel of ego and testosterone is still her little boy. She traces her way from one wall to the next, eyes glazed over, off in some other place.

“Did Dad ever hurt you?” Mark asks quietly.

“Not physically,” she says. “Mentally…”

“That I don’t doubt.”

“How was he today?”

“He absolutely grilled Evan. But, you know, it went okay. I think Evan’s a keeper.”

“Good. You need friends like that. Your dad never had many.”

She’s right, Mark thinks. Who in his father’s life is there for anything other than instrumental reasons?

Hope musters up a trace of a smile and provides the answer for him. “You do mean the world to him, you know. Even if he never says it.”

“Yeah,” he says. “I just wish…”

“I wish a lot of things about him, too.”

“Yeah…but not that, so much. I wish you’d given me a chance.”

“A chance to do what?”

“To fix everything. Instead of trying to hide it from me. Pretending I couldn’t hear you yelling. Or making excuses for him when he was off with one of his hookers.”

Hope laughs and sniffs. “Oh Mark. There are some things you can’t fix.”

“But I would’ve wanted to have tried.”

Evan’s ride back home is a painful affair. His driver, a stern-faced Native American man, expressionlessly processes his drunk 16-year-old passenger and waves him into the back seat without a word. Evan crumples into the back seat in shame. This man carts around dozens of drunks every weekend, he tells himself; if he’s driving a cab now, he probably has little regard for the façade that college-bound kids like him put up in front of their neurotic chase, will forget him within five minutes of dropping him off. He knows Mark would think nothing of the man’s judgment, would sit in cool repose. He tries throwing an arm across the back of the seat, but realizes it only makes him look like more of a stuck-up little asshole. It’s too late to take it down, though, and Evan sits there awkwardly as the car shoots through the highway tunnels and up along the lakeshore toward Evan’s quiet neighborhood. If he had any money on him, he would tip everything he could; he texts Mark to do so and says he’ll pay him back, but gets no reply. He mumbles an inaudible apology as he bolts from the car, which pulls away as quickly as he does. Evan trips on the front steps and falls forward in a heap. He swears and rubs at the scrapes on his arms.

The house is dark. He fumbles with his keys for half a minute and the door sticks as he pushes it open. He throws the keys down on the floor and stops, shocked at his own anger. He retrieves the keys and stalks past their cat, which stares in fear at this sudden intruder, this unfamiliar version of her guardian. She bolts toward the basement, claws clattering on the hard wood floors. Evan is alone.

He’s just had a night that was exactly what he wanted, perhaps the best male bonding he’s ever had. Why is he so bitter now? For starters, Mark never answered his question on Duluth. He still can’t figure out exactly why that kid is here, why he has taken on Evan of all people as his lone confidante when there are others who could better play wingman or feel less awkward around his wealth. He is ashamed that Mark wanted to offer him all that charity, he supposes; annoyed that Mark wanted his night to end with that girl. For all Mark’s kind words, he sometimes feels like a hollow vessel, a fishing boat trawling only for easy bites, its stray sweeps through the depths merely an amusing pastime. But just as he’d said, he wanted an Evan in his life, someone he could speak to freely. And sure enough, he’d gone and collected him, just as his father collected untold millions, the lesson he’d passed on to his son.

Evan stalks to his mother’s liquor supply: two dusty wine bottles and a three-quarters-full handle of rum from a vacation in Jamaica five years ago. He’s never raided it before, but tonight he takes a deep pull straight from the rum bottle and immediately chokes. He puts it back, grimaces, and stalks up the staircase, filled with instant regret. The floorboards creak beneath him, join his coughs in wrenching through the silence. His sock snags on a loose nail and he mutters “fuck” a few times for good measure. All of the charm of this groaning old traditional feels diminished after a day in Mark’s gleaming world.

He flips the light on in the bathroom, runs the water, tosses his cap aside and brushes his hair in a doomed quest for order. He pauses, opens the medicine cabinet, surveys its contents. It is sparse, his mother’s deliberate purge of anything that might call back her late husband’s final cocktail. Evan takes out the bottle of aspirin and shakes it. More than enough to do some damage.

He’d found his dad when he got home from school. It was a different house, a mortgage only two incomes could afford and before they knew the extent of the debts. The bathroom was larger; there wouldn’t be room to drape the body over the side of the tub in the same way here. He’d stammered his dad’s name a few times, backed away, collapsed into the wall in the hall. Feebly dialed 911, strung together words that cannot have been coherent but were enough to get the point across. Sat, watched, waited as the ambulance came and then his mother and then been trucked off to Aunt Cathy’s. He’d never cried, a source of retroactive guilt. He just took it all in, eyes wide open, silently consuming it all just as whatever had killed his father silently consumed him.

Evan puts the pill bottle back on the shelf and shuffles into his bedroom. He leaves the lights off as he strips down and stands there, naked. He shares those genes, he thinks. He recoils in horror, pushes down the framed photo of himself with his dad at a squirt hockey practice, even though he can’t see it in the dark. But yet he can’t feel that same way. Is this a failing on his part, an inability to connect with a dead man whose lack of connection killed him? Is it his triumph, proof he will never fall down the same hole?

A pair of headlights swings into the driveway. For a moment he panics, thinks either his driver or the neighbors have called the police over the drunk teenage delinquent making a racket, but he realizes it’s his mother, home from her shift. He considers feigning sleep, but instead pulls on his boxers, flips the light on, and settles into a seat on his bed that he hopes will look natural, pretends to scrawl a few notes in his journal.

“Hi, sweetheart,” she says from the doorway to his room a few minutes later. “Up late?”

“I, uh, actually just got home,” he says, blushing. “Was at Mark’s. Just the two of us. Quiet night. Guess it was a little late.”

“You’re almost spending more time with him than with Bridget these days.”

“Is that a good thing or a bad thing?”

“Just an observation.”

“He just…jumps at things more than anyone else I know.”

Charlotte DeBleeker smiles at her son. “I remember when you used to be the kid who hid behind my legs because you were scared of Lily Yu next door.”

“Well, she did have a mean left hook.”

“You’ve come a long way. And even if that’s hard for me…I’m proud of that.” Evan now knows she knows he isn’t fully sober, exhales in relief as his defenses come down. He makes eye contact for the first time. She brushes a stray lock of hair back behind her ear, a move Evan subconsciously copies with his own locks.

“I’ve had to. Or maybe not quite that. But I’ve seen that I can.”

“Please don’t give your Aunt Cathy reason to think you’re a budding alcoholic this weekend, will you?”

“I was kinda looking forward to corrupting Colin a bit,” he says with a toothy grin.

“On second thought, Colin could use a little of that. Just don’t let his mother find out,” Charlotte says. The two share a laugh. She comes forward to muss with his hair, and he reaches up to wrap a hug around her chest. He holds her there for a minute, and her eyes alight on the picture turned downward.

“Two years to the day,” she says. “I wish I had some words that could help, but this might have to do.” She feels Evan nod in her chest, holds him through his silent, dry sobs. His relationship with his mom since that day has not been one of deep words, but it has been one of simple honesty, and one of frequent raw, perhaps even carnal, contact. Fresh off an afternoon with Mark and his dad, he has some inkling of just how lucky he is.

The tension in Evan’s shoulders eases away. The game slows in front of him. Somehow this great hurtling contradiction that is himself is okay now, is a reality he accepts he must inhabit. The cat leaps up on to the bed and rubs up against him; slowly, he reaches to pet it and relaxes his hold on his mother. She kisses him on the forehead and makes her exit.

Evan settles into bed. He has his phone out to call Bridget before he reminds himself he is drunk and she is asleep; that would hardly be becoming boyfriend conduct. She has been the essential brake pedal on his most reckless urges over the past five months, and frankly from before then too, as the promise of someone like her made sure all his nights didn’t descend into this sort of fear.

But oh, will he take more nights like this. He closes his eyes, laughs back at his art project with Mark, drifts away, drifts up toward the clouds, up toward Kilimanjaro and then perhaps on to even greater heights, his mind back on that Himalayan trek. That urge to go isn’t one that Bridget would quite understand. His mother might, but she would only want to live vicariously, would never do it herself. No one in his life would follow him there. Except Mark. Mark would.

‘Fish off the line?’ he messages Mark.

‘Had it on the worm for a bit, but it got away. Long story. But I’m cool with it.’

‘Aw. Good to hear. Thanks for tonight.’

‘Showed me what’s really important. And that’s why I’m here.’

Evan replies with a heart and settles in for sleep.

Ferocious Ambivalence

This story is a companion to the eleven-part series that began here and had an additional episode here.

Mark almost ignores the call from his mother. He’s not planning any human contact until Evan and family arrive tomorrow afternoon, and this is not the inspiration he needs as he heads into the wilderness. Her calls tend to be idle recollections of trivial episodes from his youth, or, if she’s had a few hard seltzers, unsolicited relationship advice drawn from her days as an escort. He could do without a seventh telling of the greatest hits. There was the saga of Ronald, the financier with a secret second life in a heavy metal band, and Pedro, who passed her off as his estranged wife to his blind mother; perhaps this time she’ll linger on Jack One, the effeminate mobster, or Jack Two, who had a fetish for socks. At least the sock story is mildly funny. Maybe he could use something mildly funny? He answers the phone.

A chorus of wails greet him on the other end.

“Mom? Mom, come on. What is it?” After three minutes of incoherence, she finally forces the words out.

Her breast cancer diagnosis should be a shock. She’s only 53, a generation younger than many of his friends’ parents, to say nothing of her late ex-husband. But for Mark, it seems like only the next logical signpost along this entropic highway. He knows the road well. He seeks out the off ramp, even as he knows her bleating will force a new route for what was supposed to be a meditative vacation.

Mark’s soothing tones do little to slow her tears, but he knows she just wants to hear his voice. His mere presence has always been enough. She’d never been entirely comfortable around him after her cute, pampered boy became a hard-edged teenager, complete with his father’s ruthless streak. But she’d never said anything about that, never dared question him to his face. In a rush, he realizes how much he loves her in spite of it all: she let him be a total shit in high school, imposed no curfews, bought him booze, trusted his ability to keep himself under control even as he spewed angst back at her every chance he got. She was unconditionally supportive of anything he did, and he knows how much pride she took in telling her backwoods boyfriends about her Yale grad Wall Street son. She omits any mention of his father in this story, an oversight that both makes her look like a superhuman mother and Mark a much more self-made than he actually is. It’s a convenient lie for both of them.

“Take good care of yourself. Sounds like they caught it early. You’re in good hands. If you’re ever not happy with what you’re getting, I’ll get you something better. And send me all the damn bills, of course.”

His mother sniffles. “You don’t need to do that.”

“Of course I do. Dad screwed you over, you know that. Least I can do is use some of his old money to keep you alive.”

Silence. He thought she’d like that dig. Mark casts about for the right words.

“I’ll swing through before I head back to New York.”

He can hear his mother warming on the other end of the line. “That would be great.”

Mark eases her worries to a halt so he can hang up. After a giant exhale, he tosses the car door open and surveys a trailhead deep in the worn-down open hills of Theodore Roosevelt National Park in North Dakota. The lot is empty aside from him, and a few coyotes call in the distance. Dusk already looms, and he has to hustle to find a backcountry spot to pitch his tent. He pulls the straps on his pack into place, cocks the cap on his head, and hefts a water jug out of the trunk and into his arms. This will do. He locks the car and trundles along the banks of a dry wash, his eyes fixed on a distant gully that will serve his purposes.

In her own way, Hope Salonen Brennan’s story is far more impressive than that of any girl Mark has ever dated. She’s worked her way up, put herself in elite circles in New York, somehow made an investment banker with a wife and three kids believe he’d be happier with this uncouth Finn from northern Minnesota. She’d even had the good sense to escape his clutches when she saw what he was. Sure, her climb had been an unsettling one as she sold her own body in higher and higher circles of Wall Street wealth, but how unique did that really make her? The Brennans’ ancestral fortune had probably been built on sold bodies in one way or another; hadn’t his dad said something about ties to the British East India Company? Mark’s own additions to that ledger are filtered through a few institutions of polite society, but he has no illusions about what goes on lower down on the food chain. She’d gamed the system and won, and he should be proud of her.

He thinks back to a time in high school when he’d had Evan over for a couple of beers. It was a tame night, just two friends escaping the drama to imagine a more worldly. His mother stumbled in from a girls’ night and thrust her protruding breasts in Evan’s direction, left him with some advice: you’re a cutie, Evan, but you roll over too fast. You need to make them beg. Make them show you they’ll give you what you want. Know that you’re the one in control. She reached in and fluffed up his hair, kissed him on the cheek, and strode away with a ravishing backward glance.

Mark has never forgotten that look in Evan’s eyes, both queasy and hungry, a first great temptation for the friend Mark had only ever known to exude sainthood. Evan’s wide eyes somehow captured everything Mark ever felt about his mother, and for the first time, he understood what his father had seen in her. He’d bumped his knee on the table in shock, but she was too drunk to notice his revelation. He and Evan turned away from each other in shame. They never spoke of that night again.

The sun wakes Mark as it pours up his valley the next morning. He lies in his tent and listens to stray bird calls, closes his eyes, and lingers in bed for the first time in months. Evan would describe this experience in metaphysical terms, a tale of being one with the land, his Minnesotan pagan rite. Mark has absorbed enough of his friend’s ritual that he subconsciously follows suit, filters it through a few related Brennan family instincts: that hunger for exploration, for conquest, or at least some place where he can get away from the short-selling leeches, the loveless sex. He’s always attributed those instincts to his father, but now he realizes they’re just as much his mother’s story, too. The three of them shared a quest for purity, for rebirth, and while they may not have found that in their many escapes, they’d at least stripped away the worst of what came before. Mark pours his coffee, gazes out at the badlands of the Little Missouri, says what the fuck to himself and tips in a splash of bourbon. He grins as he takes a deep sip.

He wonders if his mother ever expected to find real love when she went to New York. At turns she seems both naïve and ruthless, a believer in happily ever after and a fighter who knew to look out for herself. Has his own pursuit been all that different? He runs through the litany of his most serious prospects: Jackie, Victoria, Magda, Amelia, Indira, Amy. All these could-have-beens that never came to fruition, some reason or another they came up short: too caught up in the past, too boring, too cautious, too ruthless, too career-driven, too put off by that monster ego or that New York drive or that contrarian Midwestern rootedness.

They were all probably mistakes anyway. Not one of them was right. Is that belief an acknowledgment of a hard truth or a symptom of a perfectionism that plagues everything he does? He trails on through the failed endgames: a walk down a wooded trail, a stolen moment in a kitchen at a graduation party, a backward glance on a Nantucket beach, amid a downpour on the steps of St. John the Divine, at a drunken post-finals party. Now, the most recent addition to the saga, the most mundane, on his couch in his new place in Westchester, a palace far too large for a single man and yet she was not the one to help him fill it and he told her so and that was that.

Mark flew into Rapid City at the start of the trip to spend a night with an old high school friend named Jake. Back in their glory days, Jake had been a deeply earnest kid who nonetheless attached himself to athletes like Mark in a tentative search for a party. He’d written a fawning profile of Mark in the school paper their senior year, one that articulated Mark’s blueblooded panache in a way that had both tickled his ego and made him more conscious of the nobility that came with the Brennan name. Mark followed from a distance as Jake chased his dream in journalism, and for the past year his old friend has embedded himself on the Pine Ridge Reservation to send dispatches to the learned classes.

Jake shows up in mismatched flannels and with a scruff all over his face, a disheveled look with no resemblance to the pretty boy Mark remembers from high school. They still get along amiably, but every time Mark tries to turn the conversation to a mundane concern, some question about his writing method or his girlfriend back in Minneapolis, Jake always finds some way to turn his life into some stilted microcosm of their cultural zeitgeist. Maggie’s apartment in Minneapolis may have flooded last month, but it has nothing on the trailer he now occupies near Wounded Knee; their last trip together, to New Orleans, underscored the ongoing legacy of slavery and Jim Crow; reflections on his career path and college life lead to expositions on college debt and the decline of traditional media. Mark can hold court on all of these subjects if he so desires, but he looks at this man in front of him and can’t see any trace of the kid who used to sketch out classification systems of their high school’s girls in the lunchroom. The absence of the old Jake jars him. In a last-ditch effort he asks after Jake’s parents, but this too just brings out grumbles about how they sit glued to their TV every night and don’t read his work.

“They at least still reading the paper? I bought a stake in it, it you know.”

“I don’t think—wait, what? No way. Are you working on that a lot?”

“Not really. Just trying to give it some life and editorial direction. Let the reporters do their jobs.”

“I knew you had money. But not that kind of money.”

“My dad died a few years back. I came into some. I invested a lot in pet projects like this. Not big returns. Happy to break even.”

“Wow. Why not just coast and live off of that?”

“My dad did a lot in his life that I’m not proud of. Trying to make up for that, as much as I can, and put that money to use.”

“But you still work for…”

“Yeah, I do.”

“How’s that any better?”

“I never said it was. Anyway, if you wanna move home, I can probably get you a reporting job.”

“I…” Jake breaks off, perplexed. “I—thanks. Really. Hadn’t even considered something like that. And Maggie’s a city girl. But—I’ll consider it.”

“Consider it a standing invite. Duluth could use you.”

Jake seems unsettled, but Mark isn’t sure what else he could have done. Pretended he isn’t who he is? Perhaps just sat and listened, a fly on the wall? Jake is full of gut-wrenching tales of reservation life, and before bed that night, Mark slides some funds he’d earmarked for a New York charter school into a scholarship fund for Pine Ridge kids. But that raw empathy has never been his specialty, his power-as-birthright certainty once again colliding with his desire to dismiss opinions as the province of the unwashed masses. Give him either a chance to solve the problem or accept that he won’t burden himself with things beyond his control.

Mark leaves his encounter with Jake puzzled. In every way he admires his friend for his work, meant everything he said about becoming his patron. But Jake has made Pine Ridge his cause célèbre, while Mark knows that, as much as he may now contribute, he can always walk away from it, or anything else. He has no Pine Ridge in his life.

A storm brews on the horizon, a looming tempest that threatens to cut down Mark’s planned hike. He battens down the hatches on his tent, nervously tests the slack on the stake lines in the crumbling dirt, and tuck his gear in beneath the leeward side of the rain fly. He considers a run for his car, but is a veteran enough hiker to know not to tempt a storm. He stands atop a nearby rock to watch its advance, retreats only when the first drops start to fall, and zips himself in. The wind rips at the tent, does everything in its power to tear it up from the ground. He splays out his body to hold in all in place, his breaths coming sharply as he tests the corners for incoming water. When he’s confident it will hold in place her curls up into a ball, a fetal coil here in this lonely wet womb.

Solitude does not suit Mark. It never has, even if he’s lived alone most of his adult life. That image of his father fading toward death in his clifftop fortress is too visceral, far too close to home, and that nightmare looms up before him again now. He can never be that. But he can’t stay on the run, either, out into more distant wilds and lonely prairies. Evan will make sure of that. His old friend can’t arrive soon enough.

The drive north from Rapid City had been bleak, as he’d expected. The open plains and endless road he can do; the shock comes when he stops for dinner in Belfield, North Dakota. He finds himself at the end of a bar opposite a drunk clump of oil field boys at least five years younger than him, decked out in Carhartts and trucker hats and Confederate flag belt buckles, constantly reaching for their tins of dip. At some point in his life, Mark thinks, he would have seen them as a potential conquest, a proving ground for a slick city boy to slide in and go drink for drink with these people from a different world. He’s done it in Detroit and Nepal and half of Europe; these boys bear some resemblance to some relatives on his mom’s side of the family. But after Jake’s tales of Pine Ridge, he cannot in good conscience put on that blithe bravado. Indira had called Mark the poster child for the privileged patriarchy, but his ever-probing, hungry style has nothing in common with these misogynistic tools. Or is that only wishful on his part? Either way, he has never felt as foreign in his own country as he does on that bar stool in that moment.

Mark has started hanging out with politicians. His dad always told him not to, but then, one of his first contacts was the son of his dad’s ex-associate, a New York Republican Party functionary. What better way to honor Preston Brennan than through hypocrisy? Mark enjoyed toying with the kid, a pudgy hothead two years younger than himself who’d simply assumed Mark was red meat. Mark can speak the language well enough, and saw a much faster road to prominence here than on the left, but he walked away repulsed by this profit-hungry devotee to a losing cause.

A meet-and-greet with Manhattan Democratic activists left him with the opposite impression: the attendees were legion, eager to spread their gospel, and company he struggled to keep. One had recoiled when he gave his employer, though they was all too happy to let Mark pick up their tab. Another, who assumed he was gay, lectured him on how his career destroyed Black bodies, and it took all of Mark’s self-control to avoid telling him that he’d seeded an urban farming microfinance operation in Detroit and a vaccination drive in Senegal. Who in this group could claim to have done so much, he stewed as he donated another ten thousand dollars to the vaccine drive with a few casual flicks at his phone’s screen. Score one for his reserve.

Mark was born in the wrong era. In the past he’d have been the ideal inheritor of the Kennedy or the Roosevelt mantel, a traitor to his class; for that matter, he could have at least worked with a Bush. Now, though, noblesse oblige seems a lost cause. The masses have the power but none of the wealth, and what’s a good, old-fashioned aristocrat to do?

“You could renounce it all and become a radical,” says Lezlie, his work life confidante. “If the Democratic Socialists are a step too far to you, you could at least go all Gandhi on us.”

Mark snorts. “Yeah, I’m definitely gonna start fasting and swear off sex.”

“It’s more you than you think, Mr. Wilderness Hiker.”

“My hikes aren’t exactly leisurely strolls in the woods.”

“Fine, I guess. It’s a reach,” she concedes. “And maybe that’s okay. You might be able to do more where you are anyway.”

“Should use some of the inheritance to buy myself a politician or two.”

“I think they come pretty cheap these days, especially if you’ve got some co-investors.”

“Let’s go in on one,” Mark laughs, shaking his head.

“Why do you even want to do this?” Lezlie asks, boring her eyes through Mark’s veneer. “What are you in it for? Guilt over your career, or your dad’s career? That doesn’t seem like your style.”

Mark shrugs. “Guess I just always gotta be that man in the arena.”

“Ever the hockey player, aren’t you?”

“Something like that.” Mark chooses not to share his next thought: ‘Or, at least, I like myself better when I am.’ That’s it, he thinks, ever the self-improvement machine. This was the distinction with Amy, the reason that one too fell short: she loved him for who he was, not who he wanted to be. That current self was fun, but always a step behind the goal.

The rain moves on around noon, and Mark sets out on his planned trek. He marches up a plateau and marvels at the openness, this vast expanse of waving grass without a soul to be seen. He ignores the trail and plunges out across the meadow in no direction in particular, his hyper-awareness just enough to keep him alert but bury his anxieties beneath his immersion of the whole scene. He gets to this point more often than he gives himself credit.

The DeBleekers will arrive later this afternoon. Evan, Brendan, pregnant Bridget in tow, their three-year-old son’s first real road trip and the first time Mark has seen Bridget in over a year. He and Bridget had squabbled a bit after his breakup with Indira—they’d always squabbled a bit, really—and Mark will forever wonder just how different Evan would be if he hadn’t committed so young. Getting Evan alone was always a challenge, and now with Brendan added to the equation, it’s borderline impossible. Even his New York friends, though, are pairing off now, throwing up the same barriers. Has he even aged a day?

Mark orients himself by the sun and starts to pick his way back toward the spot where he parked his car. He’d committed too at that age, he figures, just in a different way. Evan chose a woman; Mark chose a road, one with no real end, a hurtling cycle of ambition and achievement and revelation and subsequent exhaustion or irritability or just plain old annoyance. It seems so small. He reads books of great men, towering midcentury Wasps who shared his pedigree, and occasionally some of his flaws. But even that doesn’t seem to get there. His troubles seem pettier, less attuned to an era when sheer force of reputation and power of will alone can’t do it. Could it ever? Or was that just hagiography, or having an army behind one’s back? Mark can’t be sure, and he sure wouldn’t mind a bit of either. But there it is, a question that needs an answer, and he has summoned the one person he knows who can provide one.

An hour before the DeBleekers are slated to arrive, Mark heads into town and checks into a motel room so he can shower. He decides not to shave, figures he needs to leave some scruff to show he’s been roughing it out here, but otherwise perfects the look. When the call comes, he heads back into the park and meets them in the campground.

“Marky!”

“Evs. Bridge. Bren-Bren.” Mark strides into the campsite and throws an embrace around each of them.

“Ya look good, bro. How’s the stay out in the wilderness?”

“Damn good time. Saw some buffalo. Got to think. Slept like a log. Almost got blown into Saskatchewan in the storm this morning. How was the drive?”

“Smooth enough. Brendan was big into the giant cow.”

“Uncle Marky, it was the biggest cow ever!” Brendan informs him.

“Legit. You get to milk it?”

Brendan scoffs. “Naw. It was so big!”

“Hm. Just remember, dude, you gotta milk things for all they’re worth. I got a present for you.”

“Yeah?”

Mark pulls a stuffed bison out of a bag and tosses it to him. “Named him Teddy. Take good care of him, okay?”

“But he’s not a teddy bear. He’s a buffalo!”

“When you go to bed tonight, tell your dad to tell you about Teddy Roosevelt. And about his buddy John Muir, too.” His eyes flit toward Evan to catch the grin from their inside joke.

“Aw, it’s actually cute,” says Bridget as she rescues the bison before it descends into a mud pit.

“I got some taste sometimes,” Mark shrugs.

“In buffalo, if not in women,” Bridget laughs as she holds the stuffed animal just out of the reach of her jumping son. “Honestly, you’d make a good dad. I’m just thinking of how you’d pour yourself into it.”

Mark hides his shock and channels his best Evan shrug. “Thanks. Someday.”

“Any closer lately?”

Mark mulls his response. “Just let another one go, so I’m gonna go with a ‘no’ there.”

“Why this time?”

“Exactly what you said. She’s not the mom.”

“What’s it gonna take?”

“I’m looking for answers. The bison didn’t have many. But this kid might.”

Bridget beams at Evan, who’s been watching this exchange silently, transfixed. “You two go do your thing. I’ll see if Brendan’s any good at setting up a tent.”

“Sweet. Let’s go.” Mark guides Evan down the roads through the campground and down toward the cottonwoods along the Little Missouri, his usual resolve lost behind a simple smile.

“Bridge was in a good mood.”

“Much as she gets on you sometimes, she really does like you.”

“Prolly knows you bring out the best in me. Even if I lead you into sin and evil sometimes. Guess that’s harder when your kid’s along.”

“Right on all fronts there.” Evan pauses and lets Mark lead him down toward a sandbank along the brown, fast-flowing river. “So what were you saying about me having answers?”

“I need you to level with me. Is the reason I’m like this because I’m…me?”

Evan laughs. “Slow down and rewind, bro. Tell me what’s really on your mind.”

“Nothing you haven’t heard before. Tryna live my life to the max, getting there in most people’s eyes, but still feeling empty. My own giant ego, wanting to run everything, make it all perfect. And because I stay caught up in that shit, I never get to what I really want.”

“And you recognize that.”

“Yep. Every fucking day.”

“Then why don’t you do something? You, of all people…”

“It’s like…when I get to a place where I want to, I’m out of gas. Or I don’t remember till too late.”

“Marky…you taking enough time for yourself?”

“I take plenty. Got my runs, my hikes, my—”

“No, not like that. I mean quiet time. You and yourself. You and—”

“Bro, I’m an extrovert. That’s not how I process.”

“It’s not that simple. We all need other people time and we all need ourselves time. No matter where we are on that spectrum. And you do need to pause. To lose yourself. Remember that Marky you want to be.”

“Problem is, I’m less sure than ever what that means.”

“You really? I think you’re getting there, mostly. Look at what you’ve done with your money, with your career, with your new place…you are getting somewhere, I think. And you’re mostly good with all that, right?”

“I am. But let’s not pretend this picture ain’t missing things.”

“Course not. That’s why you have to ground yourself. Remember that.”

“I mean, what do you think this trip is?”

“Just make sure it’s not some manic chase across the prairie. I know you too well.”

“Aw, fuck off.” Mark grins in spite of himself. “Here’s another way to put it. I want to be free. I’ve never felt free. Not really. I had so much pressure of expectation.”

Evan bends over and skips a stone across the Little Missouri. “Funny. In a way I don’t disagree. It’s been heavy on you. But you also love standards. That, let’s be honest, that kinda snobby end goal. Even when you lived with your mom, who let you do whatever. And I don’t think you should disown that.”

“Do you see a tension between that and freedom? Or do I just have daddy issues?”

“It’s not totally smooth, I don’t think. But I can’t see supercool Mark on the beach just chillin, ruling his world, and not think of you as free.”

Mark grins again. “Yeah. Yeah, I like that.” He brushes his hair into place and wanders on ahead of Evan, savoring the idea of that beach life freedom.

Mark’s mind flits back to the Nantucket house. (Is he wandering more than ever before now?) Last year he’d bought one of three shares in it along with two of his half-siblings when his dad’s first wife finally sold it. ‘I’m not him,’ he’d been careful to tell the original Mrs. Brennan in her retirement lodge along the Hudson. He showed her pictures of him with his mom, of his wanderings with Evan, of him with whichever love interest he’d had at the time. She didn’t need to know that part, and since there was no other potential partner to keep the house in the family, no one tried too hard to correct the record.

Yes, he feels free there, though sometimes thanks only to alcoholic oblivion. He thought Amelia would show him true freedom on the beach, but since that failure, he’s been loath to burden his funhouse with anything serious. He’s never been one to allow a failed relationship to tarnish his memory of a place; maybe he’s just reached a point where he’s too cynical to even bother setting the stage for anything serious.

He’d run into Amelia again recently at a wedding reception for a mutual friend in the Hamptons. She was with a bearded hipster who did content curation, whatever that was; she caught Mark’s otherwise imperceptible eye roll and smirked at him, gave a little head-nod that said, ‘I’ll see you later.’ He’d failed to hide his grin, and they found each other later along the pier at the far end of the lawn.

“How long have you had Blackbeard the Pirate there?” he’d said by way of greeting.

“We met maybe two months after you and I moved on. Hooked up and the rest was history.”

“Hitched yet?”

“It’s a matter of time. I’ll invite you if you want. I’ve got the balls for that and he won’t give a shit.”

“Depends on the venue, you know I’ve got standards there. I’m flattered, though. I’m the last finance bro you dated? Figured you needed some nice boytoy as your real soulmate after all that shit?”

“You know, I’d never thought of it that way, but you might be right.”

“Hurts me to admit it, but I had you pegged wrong. Thought you wanted power as much as I did.”

“Think I don’t have it in this relationship?”

Mark snorts with laughter. “I guess if you’re happy with a one-way street…”

“I appreciate not doubling down on the neuroticism.”

“An instinct I’ll never quite understand.”

“I guess we just weren’t meant to be.”

“We weren’t. Though I’m still proud of Nantucket.”

“Never had anyone roll it out for me quite like that.”

“The things I do for love.”

“Doesn’t seem to be working, unless you’re hiding someone.”

“Am I wrong, to be as demanding as I am?”

“I’ll let you be the judge of that.”

“I do sometimes get second opinions.”

“Yeah. You always had that side. And I admire that in you.”

“But only so much.”

“But only so much.”

“What are you thinking?” Evan asks. They’ve come to the end of the sandbar and have no choice but to turn back.

“Off on some girl that got away, as usual.” If there’s one thing he can’t share with Evan, it’s his tortured love life. For all his friend’s empathy, this is a world Evan does not know. He wants to ask Evan what he thinks of the Jake episode, of his dabbling in politics, if he can picture Mark firing up a crowd or playing out his cutthroat game in the public eye. But he already knows Evan will be supportive of anything he suggests, will find ways to work past any blocks he faces, and he’s not sure he’s worthy of that confidence. Better to say nothing at all than drive up false hope. He kicks at the ground, scuffles his feet. When did he become this weakling afraid of his own potential glory?

“It’s more than that. I can tell,” says Evan after a while.

“Meh.”

“Goddamn, spill it, Marks. I come chase you all the way down in North Dakota…”

“Hey, I chased you down in Nepal once. You owed me!”

Evan grins. “What a trip that was. I mean, I loved every moment of it, the mountains, the monasteries…but my favorite part was probably seeing you come rolling in to Tengboche and holding court liked you’d been there a thousand times before…”

“I was thinking about that the other night. How awesome it was to cut completely loose from the outside world for that long. And then, of course, I got back to civilization and found out my dad was in hospice.” He pauses. “My mom just got diagnosed with cancer.”

“Aw, shit.” Evan wraps an arm around Mark’s shoulder and shakes him gently. “No wonder…”

“No wonder what?”

“It explains a lot. About why you’re here. Why you’re back in Nepal in your mind. Why you feel the way you do.”

“I don’t exactly hide it when I brood, do I?”

“Gotta ride the waves, Marky.”

“That’s what I do every day. I mean, my life is all perpetual motion. Isn’t that what your red friends would tell me? The late-stage capitalist in his element…”

“I think you have more socialist friends than I do when you have those artists over.”

“Yeah, you Minnesotans at heart are too boring to be revolutionaries.” Mark laughs and shakes himself out from under Evan’s arms. He fishes at his pockets and grimaces. He’s left the flask behind.

“You keep trying to build this image of yourself as the hard-ass rich fuck, but at the end of the day, I’m not sure that’s you at all. Maybe just…let it go.”

“So what should I do? Quit my job? Give it all away tomorrow?”

“No. None of that. Maybe just start by acknowledging that you are who you are.”

“I’ve never believed I can just throw away part of who I am. We’ve talked about this.”

Evan shrugs. “You said you wanted to find freedom.”

“I’m…” Mark trails off. “Problem is, I don’t know what that means.”

“Maybe, as you ride the wave, you need to seize it.”

“I’m sure you’re a master surfer, Mr. Metaphors.”

Evan turns away to hide his blush.

“What?” Mark demands.

“Nothing.”

“Your turn to spill it.”

Evan turns away from Mark and walks off the dirt path and into the tall grass, still damp from the morning’s storm. He toys with a few of the nearest blades and turns around.

“You remember those people who used to surf off Stoney Point in big storms on the lake?”

“Yeah?”

“I’m…a low-grade celebrity in that group.”

“Shit. No fucking way. You? Really?”

“Learned a little as a kid on those California trips. That’s why I went back there a few years back. Dabble when I can on the shore.”

“I don’t believe it. What does Bridget think?”

“She has no idea. My old board just lives in the garage. Easy enough for me to sneak it out and come up with excuses.”

“I’m…fuck. Who else knows?”

“I’ve been doing it for fifteen years and you’re the first person I’ve told. I don’t ever talk to anyone when I’m out there. Don’t go if there’s a crowd. I’m just the mystery dude.”

Mark splutters. “Bro, that’s fucking awesome. So much makes sense now. Why the hell did you have to hide it?”

“It was…just my thing, you know?” Evan gives a very Evan shrug, folds his arms, and wanders back to Mark’s side. He scrutinizes him closely and sees something he’s missed for too long in those eyes, that unburdened delight he’d chased halfway around the globe. Mark drops his head into Evan’s shoulder and throws his arms around him, and Evan stands in stock-still shock as Mark chokes up. He returns the embrace, pats Mark on the back, looks out at his taller friend, his eyes drawn tight in a tearless sorrow.

“I’ve got you. You’ll get through this,” Evan murmurs.

Mark closes his eyes, exhales, and pulls back so he can look Evan in the eye. “Getting through is fine. I got that down. But I want to do so much more than that.”

Evan opens his mouth to counter Mark’s demand for achievement. He wants to calm him, remind him yet again that there’s another way. But this, he knows, is not Mark’s wave.

“And you will,” he says. “Look at what you’ve got behind you. Look at everything you know. You got all the tools you need. You will.”

“I just need the will.”

They head back to the campsite, where Bridget has wrestled the tent into place in spite of Brendan’s help. They cook a dinner over the fire and let the child divert them from any heavy thoughts, and the DeBleekers, drained from a long day on the road, crash after a brief, non-alcoholic nightcap. Mark gives himself a second splash of bourbon and wanders down to the river again, but chooses to go no further. This is enough, he thinks, and for the first time all week he stems the tide of nonstop drifts into the past. The past provides wisdom, but wisdom alone is no agent of change, of new beginnings, of instinct on Evan’s waves.

No: he needs to be free again. Not free like Brendan, untroubled by the weight of his home in the world, but freed by belief his capacity for change, to twin dream and reality, to make good on some promise that lurks beneath all these visions he pulls from the past. He turns his eyes up to the stars and digs for the charts he’d been careful to memorize before his last hike with Evan, that flair of brilliance he’d stashed away strictly to show off but now, as he gazes upward, allows him to recover his awe. His pursuit has freed him yet again.

Beach Boys

This story is a companion to the eleven-part series that began here.

I.

The San Onofre crew is accustomed to week-long interlopers every now and then. Some appear on their little slice of beach every year, others just drift in and out. Some are memorable, but even those are never more than a stray story, a remember when so-and-so and such-and-such that provides a background bass line to the chatter at the Ex-Con-Tiki bar every weekend.

He shows up with a beginner’s board and a wetsuit, and little else. He doesn’t wear any surf shop gear, makes no effort convey any skill or experience. They all agree he is attractive and looks the part of a beach poser: long scraggly hair pulled back beneath a backwards hat, muted tone tank tops and generic board shorts, well-sculpted shoulders and legs that show he’s more than a casual athlete. His wide, brown eyes bear an eternal look of someone peering off into the horizon, someone who gazes toward the light to see what it can reveal. After watching him for four days, Casey decides that this interloper, intentional or not, has become the platonic ideal of the beach. He makes it seem effortless without deploying any effort, a shockingly rare achievement along the California coast.

He has no great talent as a surfer. Not once does he attempt anything bold or inventive, his movements always deliberate and precise. But his form is on point, no wasted effort on his board, and he’s clearly done his homework, knows the nuances of the wave in a way few rookies do. Nor is he one to repeat mistakes, each lesson stored away in a trove of knowledge that Adrian suspects must border on the encyclopedic. Surely he’s been to San Onofre before, Casey asks him, and he shrugs and says yes, years ago, when he was just a kid. Neera suspects this is a lie to enhance his intrigue, but when pressed, the kid pulls up a picture of his preteen self on this very beach, grinning between two parents as he clutches this very surfboard. The memory means something to him, clearly, but what they cannot be sure.

When they break into his cabana to see what else he has, they find no more than a bottle of bourbon, sipped at in moderation; a pile of cheap microwave meals, though of the semi-healthy variety; and a few little notebooks half-filled with unintelligible scrawl. Adrian sees a picture of a girl on his phone background, but Jack, who holes up in the cabin next door, reports only one late night phone conversation, and it with a guy at some East Coast college. He is agreeable enough, shares a few beers with the Samoan proprietor of the Ex-Con-Tiki, can talk about the wave and downplay his own skill with the best of them. But even Neera, the most skilled prosecutor on these sunny shores, fails to fish out any details when she sidles up to him with a drink and her voluminous eyelashes.

Over the boy’s first four days at San Onofre he is tentative, avoids others unless they address him, willingly accepts his position as the rookie on the fringes of the lineup. He simply goes about his wave work within his limits, creates as small of a swell as he can. Neera invites him to a club in San Clemente, but he demurs and spends his night reading some cliched travelogue outside his cabin. His heart isn’t in it.

The interloper is a source of mild interest at the club that night; if Neera weren’t newly single, they wouldn’t have given him much mind. But Alexandra, eager to quash Neera’s intrigue, convenes a meeting of the minds before the boys inevitably disappear to the back alley to toke a bowl. The last thing she needs is to babysit yet another brokenhearted roommate.

“What was the name again?”

“Evan. His bag says Gopher hockey on it.” Frantic googling ensues.

“Sure enough, that’s him. Walk-on. Guess he’s alright.” Alexandra shows them his roster profile on her phone.

“He’s got good form for a kid from the middle of bumfuck nowhere,” says Jack, already half out of his seat for his trip to the alley.

“And he’s a cutie,” Neera muses. “Probably real nice. Minnesotans always are.”

“Some midwestern bro living out his fantasy,” says Casey.

“I’ll tell you what he is,” Alexandra says. “He’s a climber. He doesn’t want you to think he’s after anything…but he’s after something.”

“He’ll fit right in here,” Casey says, trying to give her a significant look. Alexandra ignores his puppy eyes and instead checks Neera’s reaction: concern, fear that her Minnesota Nice diagnosis may be awry. Yes, that’s exactly what she’d hoped for.

“There’s no fitting in here,” she replies. “Either you grab the wave or you end up washed up on the beach.”

II.

“Alright, kids, welcome to Solomon’s Temple,” Mark announces as the procession of cabs pulls up to the beach house.

“Did they add on a new wing since I was here?” asks Matt.

“Yup. New sun room on the side, and another bedroom below it where we can stuff a few more bodies.”

“You’ve been here before?” asks Dante, a newcomer to the group.

“Marky and I go all the way back,” says Matt. “Been dealing with this snob since I was ten, even when he went off to Minnesota and New Haven. Been in the family since way before you, right?”

“That it has. And Matty was one of the few Dirty Jersey friends my parents let me have out here on the island,” Mark says. “No freaking clue what they saw in him.”

“I just remember us out on that beach when we were like twelve, thinking we were hot shit and going after high school girls.”

“Better luck this time, Matty,” Mark teases.

“Why Solomon’s Temple?” Amelia asks from the back seat.

“Parents went through a religious phase. Plus my dad’s gone through almost 700 wives, so it’s fitting.” To Mark’s mild annoyance, the allusion goes over the heads of everyone in the car.

Lost references aside, Mark is proud of his plans for a long Nantucket weekend. He’s made his invites carefully, fifteen in total, six men and nine women, the ratio off-kilter to get the group to the front of bar lines and provide more options for his enjoyment. There are three couples, already paired off, and Leslie, his lesbian work life confidante; to the mix he adds Dante, a Camden-based writer who went to Princeton with Matt, proof this week is more than his own sandbox. No, he’s collected his interesting people, all with some purpose unknown to them. Dante the poet, Leslie the life coach, the couples to provide stability, and Matt, his foil, both a competitor and a partner in the pursuit of the four eligible ladies. They know the unspoken rules of the game they both relish.

The first night goes according to plan. They are all drunk by eight and pile into two cabs Mark has contracted for the week for a venture to a strip of bars in town. Nora, the most attractive and least stable of the four singles, trips on a loose sidewalk brick and goes down in a heap. They are a bit on the drunk side for the finer bars in this outpost, but Mark has curated his guests well enough that he knows no one will go full Jersey Shore on him. They plow through a few fine cocktails before beginning the inevitable push back to the one dive bar on the island, where Mark suspects all their nights will end. The first one has enough novelty that he can ride it through, play his part, head home happily drunk at the end of the night and settle for a few sloppy kisses with Nora. Matt goes to bed empty-handed, and Mark claims pyrrhic sort of victory on night one.

He’s paced himself well. He wakes the next morning with no hint of a hangover and heads out for a ten-mile run along the coastal roads out to Siasconset and back. A handful of his housemates have stirred to life by the time he returns, all in awe of his early morning feat of athleticism. He shrugs off their praise with practiced nonchalance, the borderline arrogance of a man whose achievements require no acknowledgment. He is who he is.

Even so, Mark senses a distance growing between him and the rest of the house as it stirs to life. He has classified himself as a breed apart, and now it is his duty to reclaim his charm. He takes orders for mimosas and coaches Leslie and Dante on the Markian approach to beach life, to dive immediately back in. His disciples laugh and follow his lead. The god has come down from the clouds.

They pass most of the day on the beach. Mark drifts in and out of a few games of volleyball, works his tan, settles under an umbrella to keep his steady buzz and samples the edibles brought by Patrick and Erica, two underlings of his who have managed to hide their romance from everyone else in the office save Mark’s prying eyes. He caught their subtle winks, their well-timed bathroom trips, their aligned vacation schedules. Erica buries herself in the sand and gazes out at the waves in peace, and Patrick nuzzles up against her. Mark nestles near them on his towel, close enough for idle observation but far enough to give them space. They’re a fascinating specimen, this couple that has found love in a desolate office. He’s in a good enough place that he can stave off the wistful thoughts they inspire in him.

Night two involves less pretense, a quick pregame that moves on to a unified beach party with several other homes. This night, Mark expects, will be the most debauched of the week, and he steals a thirty-minute nap beforehand to steel himself for it.

“Game on,” he whispers to Matt as he settles in to bed.

“Remind me how many extra points I get per college girl?”

“Careful, Matty. Can’t talk like that anymore these days. You trying to tell me you aren’t here to find undying love?”

“C’mon, it’s not wrong if they’re in on the game, too.”

By the end of the night they are back in the room they share with two girls who claim they’re headed into their senior years at Dartmouth. In time it comes out that they’re merely Brooklyn baristas, but by this point Mark and Matt are in too deep. Mark thinks Matt wrapped up the proceedings with the slightly cuter one, but his finds just the right level of pleasure to sustain him through the longest finish he can ever remember. He is content to call the night a draw.

Mark wakes to find his new acquaintance wrapped in sheets at his side. Matt’s bedmate, he sees, has slipped off in the night. He deserves extra credit for that. He stays in bed until the girl wakes and politely sees her on her way, though he does not invite her to stay for the brunch Dante has promised to whip up to start day three. She was lovely, but he doesn’t want to give anyone the wrong impression. His prize will be no barista, no random encounter on the beach. He’s already culled his herd.

The group applauds Mark and Matt for their conquests, though Leslie groans as they settle in on the beach with Nora’s foul anti-hangover concoction.

“This isn’t the Mark I like. The one I like is the one who was grilling Amelia on what AI is going to mean for humanity.”

“That Mark does get a little tired of always having to be the know-it-all cynic.”

“Okay then. How about the one who kicked all our asses at volleyball then had some pot brownies with me on the beach yesterday?”

“You know I’d go freaking crazy if I tried to live like that.”

“You don’t make this easy, do you?”

“The world is a complicated place. Just…being one with its waves, you know?”

“Hah. Clever turn, I’ll give you that.”

“I’m good for that, if nothing else.”

“You’re in Sad Mark mode again, aren’t you?”

“Me? Sad? I fucking rule my world.”

“Doesn’t seem to do much for you.”

“Does plenty for me. Just hungry enough to want even more. There you go. There’s a thirst no AI can ever have.” He pours himself another mimosa.

III.

On day five, it all changes. The boy barges in to Adrian’s turf on the wave, commands the inside of the tube, pulls a series of hard turns in succession. The conditions aren’t particularly good, and he still has an erratic streak that nearly creates a few collisions. Yet he surfs with reckless abandon, just hanging on to an edge of control. Even Alexandra rises up from her droll position on the beach to eyeball this display of reckless bravado. Later, when he washes up immediately in front of her, just as composed as when he’d emerged from the waves the two days before, she can’t help but flash him a quick smile.  

Evan ignores her. When Adrian snarls at him over his lack of decorum, he rolls his eyes and doesn’t reply. When Casey asks if he wants the video he’s shot of him, he’s downright scornful: he’s not here to be found, to time it just right for the perfect conditions, to pull off any particular move. He’s here to surf.

That night the interloper shows up at the bar for the first time since the second night. After a survey of the room, he gives the boys an awkward nod of respect. They reciprocate, an invitation to become one of them for the night. Evan accepts, but Casey can tell he’s not after their approval. Instead, his eyes flit toward Alexandra at every opportunity.

Alexandra is the queen bee of the San Onofre crew, a daughter of New Yorker socialites who fled west to try show business, found it vapid, and now lives off a trust fund with some beach bums. She’s convinced her parents she’s still seeking out modeling opportunities, and she staved off her mother’s inquiries at the latest visit with a carefully concocted story of her pursuit of some surf magazine. Her housemates are all complicit, bought off with the promise of Alexandra’s influence, and her willingness to pay the freight for the booze and drugs at the parties they host. The girls of the Ex-Con-Tiki have a reputation to keep.

Over the first few drinks of the evening, Evan pulls this story out of his fellow lustful males. Adrian has no interest in her uppity style, though this doesn’t stop him from telling Evan what he’d like to do to her in lurid detail. Evan pointedly turns to Casey and Jack, where he finds contradictory takes: Casey finds the addition of her tight mini-skirts and bottomless purse an unquestioned perk, while Jack tells anyone around him that she’s attracting the wrong type to San Onofre.

“Super high-maintenance.”

“Way more crowded than it used to be,” Casey admits.

“And the wrong type. None of the chill natives who actually know their way around a board.” Casey concedes the point, and Evan nods gravely.

That settles it, Casey thinks: the interloper stands for nothing if not purity, so he’s the last person he would expect to seek out Alexandra. He’s free to set up his own play. But it’s too late: Evan buys them all another round, slams his immediately, and marches across the bar to greet her. The boys watch, enthralled: will she eat this new kid for dinner as she has so many times before, or do those searching eyes know something she doesn’t?

Alexandra isn’t even sure why she’s here tonight. She’s cut back her drinking to a light trickle, and the charm of this beach dive wore off months ago. Her tablemates are all shrill harpies, and the crowd is otherwise sparse, a few aging wannabes in the corner and the tiresome Casey there in the middle with his unremarkable friends, headed for yet another stupor. And now up walks this boy who tries so hard to project some air of confidence.

“Slow night here,” Evan muses. It’s a comment for Alexandra alone, not the other four girls at her table.

“We don’t do much speed here,” she answers. “Unless you mean meth. Ask the bartender and he can hook you up for a decent price.” Evan’s eyes flit to the Samoan, who’d told him a tear-jerking tale of his turn to clean living after his release from prison a few nights before. They make eye contact, and he seems to know exactly what Alexandra just told him. He closes his eyes and musters up his cool.

“Appreciate the reference. Got a trailer we can take it back to?”

“Not much peace and quiet at my place. I hear you’ve got a little hermit cabin down toward the old nuke plant?”

“Out in the wilderness, just like Saint Onofre himself.”

“You’re a smart little fuck.”

“I try to be versatile. A renaissance man. A soldier-scholar. A philosopher king.”

“A drunk college jock who needs a haircut and wants it bad.”

“All of the above. Can I get you something?”

“You can get me out of here, that’s for sure.”

“Now you’re talking.” Evan steps aside to let her out of her booth and leads the way toward the exit. He doesn’t bother looking to see what sort of reaction he’s inspired, but Alexandra makes sure to give Casey a triumphant leer before she slips out behind him.

They don’t head straight for a bedroom. Freed from the need to perform, Evan sets a contemplative pace up the beach, and Alexandra regales him with the inner dynamics of her house. After five minutes of blather, she gets the sneaking suspicion he isn’t paying attention. Casey would have kept fawning after her the entire time, but no, this kid is subtly showing her he’s bored, that he doesn’t need her, that she should be the one seeking him out, not vice versa.

“Let’s head to my place,” she snaps, and he returns his attention to her.

“Not my wilderness hut?”

“Not sure I should trust men who think that sort of thing is fun. Trust me, a night in my bed will be an upgrade.”

Evan shrugs, nonplussed. Only later does Alexandra realize he already knows where she lives, her backstory, her reputation. She’s not sure if his homework should flatter or disturb her.

She drives him to a San Clemente neighborhood near the pier. The house is compact but carries a veneer of refinement, laden with the latest IKEA furniture and a mélange of perfumes that trip Evan’s allergies, an upgrade only when compared to the piggish squalor of Casey’s apartment or the eternal pot smell of Adrian’s. He pours them both lemonades to distract himself from her waterfall of apologies.

“Want to watch something?”

“Not particularly.”

“So who are you, really?”

“Some kid who likes to surf.”

“No shit.”

For the first time since he’d swaggered over to her table, Alexandra suspects some uncertainty in Evan. He blows his nose in a tissue and lets his eyes dart about the apartment, not processing anything they didn’t see the first time. He doesn’t seem like a person eager to get on with easy sex.

“You’re such a loner,” she chances.

“I try to surround myself with the right kind of people.”

“What are those?”

“The people who fuel my fire.”

“And who does that?” she asks as she unbuttons her shirt to reveal a pink polka-dotted bra.

“Not many people.” He tugs off his shirt and lets Alexandra run her hands around his chest in gentle massage circles.

“You’re sunburned.”

“Never can escape that, yeah. I’m not a beach kid.”

“You could play one on TV.”

“I’ll remember that if my business career doesn’t work out.”

“Why are you even here?”

“To surf.”

“No, shit. But out of all the beaches…”

“I could ask you the same question.”

“Quit being smart.”

“Fine, fine.” He gazes at their reflection in a window across the room. “My family used to come here when I was young. My aunt lived out this way for a bit and my parents fell for the place. It’s been ten years now, though. Was curious if it had changed.”

“Huh. Has it?”

“Hard to tell whether I’ve changed or it’s changed.”

“For the better?”

“Well, puberty did enhance one aspect of it. But mostly, no. Everything that seemed big back then seems small now. And people are just as petty here as they are anywhere.”

Alexandra isn’t sure if this is directed at her or not. She casts about for a response that will be on his level.

“You see places better when you don’t see them as a kid. You can see what they actually are. Not what you wish they still were.”

Her would-be lover smiles. “You’d be perfect for my buddy at Yale, saying things like that.”

“I went to high school just up the road from there. Choate. Bunch of self-righteous dicks.”

“My point exactly.”

Alexandra cackles and slides a few fingers in beneath his boxers. He reaches down and clasps his hands over hers, a caress that nonetheless stops her progress.

“You never answered my question,” she says.

“It’s not an interesting story.”

“I’m curious, though!”

“Living out some childhood fantasy, I guess you could say.”

“Oh, forget it, you’re impossible. Let’s fuck.”

He turns back toward her, and Alexandra is once again drawn in to those wide eyes.

“Nah.”

“Seriously? You put in that much effort and then you run away?”

“Got a girl back home. I’m loyal.”

“Loyal. Then what the hell are we even doing here? Loyal. Holy fucking shit. Loyal.”

“You make it sound like a foreign concept.”

“You sound like the clingiest kid ever.”

“When you know what loss is, you become that.” He pulls his shirt back on, cocks his cap back in place, and heads out the door.

IV.

Night three is Mark’s night for excess. After an early win, he can let Matt take the lead in the pursuit and just follow along, let instincts do the rest. He makes a few overtures to Carmina, the shapeliest of the four single girls, but her speech is slurring before they even finish dinner, and after three bars, Mark is little better. Matt paces himself better and takes home an androgynous gender studies major from Barnard. Under normal circumstances Mark would find intrigue in his friend choosing an interesting chat over the easiest lay, but is thankful he is so drunk that he can just pass out, his only lasting memory of the night formed through Dante’s reenactments of the girl’s relentless moaning.

Day four is drizzly and grey. Nora stumbles in with a ballet dancer she’d hooked up with the night before just as the group wraps up brunch, and he has the nerve to whine about the temperature of the leftover eggs. Leslie overhears Patrick criticizing the waitstaff at the dive bar and lectures him on his lack of empathy, leading Mark to edge out of the room in annoyance. He gives Matt a nod, which Dante catches as well, and they both follow him into the kitchen.

“Gotta love the white girl from Westchester lecturing us on privilege,” says Matt.

“You said it, not me,” says Mark, relieved that the two people of color in the party can be his confidantes.

“I give her points for trying,” says Dante. “But doesn’t she work at the same firm as you?”

“That she does,” Mark replies as he contemplates the empty Bloody Mary pitcher with a frown. “We’re all sinners here. Cept you, maybe, Dante.”

“Bro, his parents run a hedge fund,” says Matt. Mark cackles with glee while Dante blushes.

“Not where you come from, but what you do with it, right?”

“Sure. Something like that,” says Matt. “Ugh, the fridge is out of beer. I’ll get more.”

Dante shakes his head as Matt goes. “You and Matt together are a hell of a pair.”

“We’ve been playing the same game our whole lives, Delbarton all the way back.”

“I had you pegged as more of an Exeter kid.”

“Dad was a sleazebag. He fit in better in Jersey.” Mark grabs a tennis ball off a nearby counter and bounces it off the floor.

“Hey now, you know I’m in Camden.”

“Gotta get some good material there.”

“Like nothing you’ve ever seen.”

“I spent a summer in Detroit. Went to an all-black bar most nights. I’ve seen a thing or two.” Mark idly bounces the ball.

“What were you after?”

“Probably the same thing you’re after.”

“Sure, but you ain’t Black, dude. Those are my people there.”

“Right. I realize there are things I’ll never understand about that. Why can’t I try as much as I can to make them mine, too?”

Dante looks at him quizzically. “What the hell you doing here, then, getting trashed on this beach?”

“Playing the game, like I told you.”

Dante shakes his head. “Leslie says you should leave Wall Street. Says you need more than an intellectual dead zone.”

“Everywhere seems that way after Yale, really.”

“Let me show you Camden. See if you still think that after. You can get so much more than this.”

Mark’s eyes flit out at the waves through the rain-spackled window. The tempo of the tennis ball accelerates.

“Roots are complicated things. And mine are here.”

Mark’s heart isn’t in night four. He skips most of the day drinking games and plays cribbage in the lounge with Leslie, who knows him well enough to give him space. He halfheartedly coaches Dante as they size up a group of townies at a less popular beach, the best he can do to escape the motions of a tiresome routine, but Dante has no real interest in his game. Matt is back with the Barnard girl, who makes it clear she has no interest in Mark’s droll act; what exactly she sees in Matt, other than perhaps a brown kid with a lower outward privilege score, is unclear. After staying tight for three nights, their group spreads out across three bars in downtown: the couples choose a quieter locale for date night, Dante and Leslie join an edgier crowd at the dive bar, and Mark trails after the single girls intent upon a party, taking no joy in his role as the playboy.

To his relief, Matt slips away from his hook-up from the night before and employs a full court press on Eva. Mark takes his cue that he’s free to do as he pleases and turns his attention to his target for the whole week: Amelia, the prettiest of the bunch in his eyes, less busty than Eva or Nora but eternally poised and prim, an early employee at a start-up who has drifted into its inner ring. This conquest requires no great art, nor any drunken oblivion: merely the two best-credentialed people in the house taking their natural place at each other’s side.

Mark and Amelia cab back to Solomon’s Temple and wander along the dunes. She’s had more than him but is still in control, content to let him drape and arm around her shoulder and let it sneak downward. He can feel the tension draining out of her as they go and lets himself follow suit, a pair of neurotics twinned in escape.

“Isn’t this absurd, getting trashed out here every night?” he asks her.

“It is. How fucked up do we have to be to want this?”

“If this is fucked up, do we want to know normal?”

“Damn. And we’re the successful ones.”

“Just know how to keep up appearances as we play the game.”

“It’s all a game to you, isn’t it?”

“You got a better way to treat this thing we do?”

“Just make sure we don’t always play the game the same way.”

“Oh, I try. Matty and I are in competition all week.”

“I picked up on that. What’s tonight’s challenge?”

“We’re gonna see who can bring a girl home for a night on the beach.”

Amelia stops and glares at him. “I see you’ve won.”

“Always do.”

“Well, tell Matt to get his junk and whatever pussy he’s found to go with it down here with us.”

“The four of us, under the stars?”

“Why not?”

This seems too easy. Mark wants to ask her what exactly it is she’s looking for, but some instinct tells him it isn’t a prudent question. He calls Matt and orders him to the beach, hypes up an impending orgy even though he knows it will be nothing of the sort. He and Amelia pick their way back to Solomon’s Temple and arrive just as Matt and Eva climb out of their cab. The foursome is quiet, and Mark tries to diagnose the mood in the house, some mix of exhaustion and hope for something new; unspoken dreams for transcendence, or merely a release of pent-up drives?

Amelia and Eva collect a few wine bottles from the cellar while Mark and Matt and scope out the dunes for a leeward pocket where they can settle in beneath a few blankets. After the girls arrive, they chug the wine to warm themselves. Amelia shudders in the cool night air, and Mark nuzzles up against her. He wants to tell her that he’s been scheming for this moment since he met her two months ago; down the slope, he catches snatches of Matt and Eva’s debate over the most comfortable position with the added variables of sand and dune grass, and is tempted to test their advice.

But he says nothing. Amelia nests her body into his and settles into the rhythmic pulse of sleep, and he can only lie there, wide awake, loath to call it a night but even more reluctant to disturb her peace. He runs his hand gently up and down her side, content drain his plastic cup and meld his body into hers. Something about this feels different, less a conquest and instead a comfortable place to lay his head. He’s not sure he trusts it.

Mark wakes with a start when the first rays of sun creep over the beach, and his shudder stirs Amelia to life. He feels somehow wronged as she peels herself from him, but he musters up a bemused grin that she returns. She lets him kiss her gently.

“I do need to get back to the city today,” she says as she pulls away and climbs to her feet.

“Gotta get outta here before you start feeling something. I get it.”

“You almost sound sad about it, you soulless leech.”

“I can have an emotion every now and then.”

“Cute, kid.”

“Drinks sometime next week?”

“If I’m in the mood.” She swings a blanket over her shoulder and stalks her way back toward the house. Eva yells after her and hurries to follow, sick from how much she drank the night before. Matt sits up on his blanket, rubs his eyes, and looks up at Mark as if he were some heavenly apparition.

“You get all the points. Damn, Marky. She’s such a boss.”

“I guess,” Mark shrugs. “If she were as in control as she pretends she is, she’d say eff the boss and take more of this for herself.”

“She’s got the balls to leave this behind. I give her real credit for that.”

Mark cocks his head. “Dude, you just slept with a Vanity Fair model on a Nantucket beach. You really gonna question all this?”

Matt frowns as he massages his temples with one hand and adjusts his package with the other. “I am. Just too much of the same, day after day.”

“You the last person I thought I’d hear that from.”

“I’m serious, bro. I think you need to start seeing someone.”

“Nah. Not how I operate.”

“You’re allowed to win with help from other people sometimes.”

“You givin up on my game, Matty?”

“Shit, bro, you’re a one-track machine.”

Mark blinks at Matt, shocked to hear his closest comrade abandon the cause. Is he that neurotic, that driven to excess? For all his claims to the contrary, he has to concede the point. His life has taken on a manic pace, its successes more sustained but punctuated by these sporadic crashes when he just loses all self-control and lapses into days of sputtering misery.

Matt is too loyal to leave him alone and march off up the beach after the girls, but even as they collect themselves and their blankets and their empty bottles and begin to walk back toward the house together, he senses a new divide between them. Everyone else has found their stops off this train, but he just plows on toward the end of the line, wherever that might be.

V.

The next day, Evan is back to a life of complete isolation. At first Alexandra just diagnoses cold feet, a retreat from intimacy for a kid who only has a few days left on the beach. She’s seen it before, this fear of commitment. But Jack suspects something different: he looks at all of them the same way, some mixture of intrigue and pity, as if he dreads some great tragedy that he knows will befall them as they party on in their ignorance. Weeks later, when Alexandra looks back on this most bizarre of her summer forays, she will agree: he was a breed apart.

Evan has no knowledge of Jack and Alexandra’s blowout argument at the Ex-Con-Tiki. He is back in his cabin, alone, though alert enough to flash Casey a middle finger when he tries to peek in his window after bar close. As far as Casey can tell, he is only brooding, his notebooks untended, his phone forgotten on the bedside table; those eyes, unable to squint out toward the light, just fixed on the dark void where the nuclear power plant used to be.

Once Evan is sure Casey is gone, he dons all his surf gear again and takes his board down to the beach. He laughs at himself, this necessity of looking the part, even in the wilderness. He’s an actor playing a role, but aren’t they all actors on some great stage?

The waves aren’t right. It’s too calm, too still. He won’t have the final triumph he dreamed of to round out this trip. He turns to leave the ocean; might as well get a full night’s sleep. But he doesn’t get far before another instinct forces him to turn back.

Evan saunters over to where he’d washed up in front of Alexandra the day before. He drives his board into the sand and takes a seat next to it. He holds his knees in his arms and closes his eyes, his sole focus the inward crashes and outward pulls of the surf.

Every step on this beach has stirred up some memory, some past dream. It’s a home of sorts, and it’s tempting to remain in this world, to never leave behind the San Onofre of his youth. Evan could settle into a life here, set up in a little shack and drop his pretense and befriend someone like Jack. He could be happy here. He can just surf.

But this trip has never been about that. He’s passed his test, rode into the jaws of death and tempted himself as he’s never been tempted before. He’s come out triumphant. Back in the cabana a half hour later, Evan jots down a notes for a few calls he’ll make the next day. He’ll go back to Minnesota with no need to linger any further on what this beach means to him, no need to play out a dozen different futures in his mind any longer. He knows how the next chapter in his story will read. Now he just needs to write it.

VI.

Scandal is under way when Matt and Mark return to Solomon’s Temple. Erica, high on cocaine, made drunken passes at Dante in the kitchen the night before. The poet pleads his innocence, but Patrick demands culpability, and the house has separated into Team Patrick and Team Dante. Mark’s natural instinct is to sequester the two of them and order them to find a resolution, but today he feels drained, and for the first time all week, he has no Amelia to perform for. Does he still have time to catch her ferry back to Hyannis?

Mark tells Matt to sort it all out and heads to his room. His hangover, lurking in the backdrop since he woke, roars into full force by late morning, as his worst ones always do. He wants to crawl back into bed, but there is no time, he convinces himself; time, perhaps, is running out. His feelings are too complicated, too cluttered even for a mind attuned to life among shades of grey. He needs to purge any conflicting feelings. He needs to run. Matt can only watch in incredulity as Mark changes into his Yale shorts and a tight athletic top and begins his easy jog out to the beach.

The first mile goes easily enough, but by the time Mark swings inland toward Milestone Road, he knows he’s made a mistake. His stomach churns with the unprocessed concoction of six different types of alcohol, all intent upon making its way out into the world; whether upward or downward he cannot tell. Lightheaded, he slows to a stumble and waits for a slow-moving truck to pass him before he dips into a convenient shrubbery. He squats, wills his digestive tract to act, forces out what he can and wipes his anus with some inadequate sandplain grasses. He is revolted, but he must go on. Perhaps he can cut this short and make a loop down the airport road, though there’s too much traffic there. Maybe this little side lane will do the job?

For a moment he resumes his brisk early pace, seemingly cleansed. But it’s a false reassurance. A quarter mile later, he’s seizing up more than before. He drops his rate to a slow walk, unable to keep a straight line, the world starting to swim before him. A middle-aged woman driving her Prius the other direction gives him a look of concern, but pushes on. Freed from any prying eyes, he returns again to the hedges, this time intent to stay for as long as he needs. He pushes across a grassy plain to another clump of scrub oak, tries to force more out but nothing will come; he fears he’ll vomit, but that too stays down. He breaks out in an intense sweat, feels the color drain from his face, wonders if he’s on the verge of a collapse into the bushes. There’s a house maybe five hundred feet away. Should he call for help? Ask someone to summon an ambulance? Spell out his will and testament in the sand before him?

He’s not quite sure how long his agony lasts, whether it is five minutes or half an hour, but it doesn’t matter. This is more than some stray hangover. He is a piece of trash, a useless scum, a kid with promise who’s pissing it away in a silly performative world of endless nothing. This will be the end of the line, the wake-up call he needs and the liberation of a sickened soul. No more descents into hedonism without purpose, no more sad nights alone in his room. And then there, squatting in a bush, clothing caked in sweat, hands buried deep in his disheveled hair, he turns his gaze upward and his closed eyes perceive the world through those of a child, future or past he cannot be sure, and suddenly he feels the pain easing away, drained out into this sandy Nantucket soil where it can remain.

Mark rises and begins a steady trot back to the beach house, ready to guide his charges out on a tour of the island’s lighthouses and feed them a fresh seafood dinner. His stomach rumbles softly. The wind tugs his hair in and out of his eyes. He smiles a manic smile. He’s found his pace.

90s Boys, Part II

Part One is here.

While The Topeka School aims to render contemporary America in grand moody sweeps, the book I read in conjunction with it, Alexander Tilney’s The Expectations, has seemingly more modest expectations. The allegory is more subtle and less grandiose, the language more measured, more matter-of-fact, a believable rendering of characters’ thoughts. Instead, Tilney worms his way into the mind of Ben Weeks, a third-former (high school freshman to the rest of us) at St. James School, a New Hampshire boarding school not-so-loosely based on the prestigious, if sometimes embattled, St. Paul’s. Ben is a sixth-generation SJS student, the son and nephew of prominent school benefactors, younger brother to a freshly minted SJS grad who was something of a campus legend, and an emerging squash star. On paper, he’s the embodiment of the WASP elite.

It would be easy to take a snapshot of Ben as a thoroughly unlikeable character. He is caught up in an anxious, morally dubious world of high school social striving, and the closest friends he develops have few redeeming qualities. For most of the book, he at best offers compromised advice to Ahmed, his Dubaian roommate with no concept of American social norms; at worst, he enables other kids’ torment of him. The nagging voice in his head does nothing to keep him from getting drunk enough to vomit all over the room in his first month at the school or engaging in any number of other improprieties large and small. He frequently lies to get out of trouble, and he gets away with it.

And yet Ben retains a tender core. Tilney wallows deep in Ben’s adolescent brain, an achievement both relatable and exhausting: in any given moment, his actions make sense, always an effort to find his place in a harsh social world and a long family history. His bluster always tentative, and at no point do we feel his heart is in it; he remains sensitive and industriously tries to make his way through an unforgiving environment. He is overwhelmed by forces beyond him, struggling desperately to find his own self beneath the weight of generations of expectations.

Part of the problem is the world in which Ben finds himself. St. James is caught in a moral paradox best embodied by the St. James Companion, a book of expectations it gives to its incoming students, a relic of a different era that still calls students “boys” even though SJS has long been co-ed. It wants to protect its students from the forces of the world and teach them humility while preparing them to rule it. The isolation from the rest of the world it so long enjoyed is beginning to break down amid modern connectivity. Disciplinary hearings are a farce, tied more to the school’s image than any sense of justice, an attempt to keep up appearances in changing times. Ben’s family situation is not what it seems at the outset, and like any family that finds its social situation fragile, he swiftly develops an anxiety that his complex social world turns into outright paranoia.

The Expectations is an elegy of sorts for East Coast old money. That includes its most redeeming qualities: frugality and taste in the face of gauche free-spending from the likes of Ahmed, its dying moral code an effort to tame the privilege the SJS kids enjoy. The WASPs aspired to their virtues, and often those virtues aligned with the best of the American project, but as that old aristocracy collides with new money and mass democratic culture, it finds the world has left it behind. The Companion isn’t relevant for Alice, Ben’s love interest, nor for Ahmed, who irks Ben with his dismissal of SJS tradition until he suddenly does branch out in a way that could destabilize Ben’s place at the school. Ben has few qualms about breaking rules so long as they are in line with the traditions of SJS mischief, but other forms of impropriety become existential threats.

As with Adam in The Topeka Project, Ben has a smart but ultimately tragic father and a pillar-like mother, an arrangement that seems either oedipal or an indictment of a particular era in American fatherhood. Ben’s mother, a budding academic with a keen and sympathetic understanding of her son’s motives, is the novel’s grounding force; his father, meanwhile, is every bit the sorry heir at the end of the line, riding past glory and fully consumed by a need to keep up appearances. The Expectations is a more sympathetic rendering of how elite hunger for wealth and power overrides a veneer of culture than The Topeka School, and for its efforts may prove an even more searing indictment.

I knew approximately nothing about squash before reading this book—another sign of WASP decline, perhaps—but the squash portions of the book are among its most riveting. Squash is both Ben’s escape and a source of stress, especially as the stakes get higher, and anyone familiar with high-stakes high school sports (or any such activity) will relish the tale of his struggle, at once both in search of prestige and cloistered in a narrow world of little interest to anyone beyond the courts. The SJS squash coach, the aptly named Manley Price, is probably a good barometer for readers’ reactions to The Expectations. Readers who relish his efforts to push his students to the brink probably understand the desire to elegize St. James; those who find him an over-the-top manipulator will probably want to grab Ben and order him to head back to his local public school. But if a culture of excellence is to sustain itself, it needs its manly (or womanly) prices; if there is any virtue in higher moral codes, they need to have arbiters and norms to maintain those standards. That tension sits at the core of The Expectations, and the moral questions it raises are some of the most crucial ones a changing society has to ponder.

The Expectations is a debut novel, and as a result has some of the rangy weaknesses of debut novels. Its third-person limited perspective gives us an exacting portrait of Ben but comes at the expense of depth for some of the supporting characters. Its occasional tendency to wander into other brains or offer sudden insights from on high, while sometimes a welcome break from relentless Ben thoughts, usually rings false; the need to name-check every 90s brand also drained me, especially as someone who is a bit too young to find any resonance in many of them. (This may be the point, of course.) But Ben Weeks is a timeless exemplar of the status struggle of teenage boyhood, and in the final chapter, when he has nothing left to lose, he starts to find himself. ‘Let yourself bleed,’ Price tells him, and Ben pays the price to learn the true nature of the world around him.

90s Boys, Part I

My fiction consumption lately has featured novels with 90s high school boys at their centers, a kick driven by some of my own preferences and a product of what some good younger writers have put out in 2019. The first, Ben Lerner’s critically acclaimed The Topeka School, operates on a different level from the second, Alexander Tilney’s The Expectations; the latter is content to present its characters’ thoughts as-is, but the chapters in The Topeka School often have extended allegories and drift into stream of consciousness to tie the threads together. Its style is one a New York Times review calls “autofiction”: borderline autobiographical, the fourth wall broken as the protagonist, Adam Gordon, writes in 2019 about his teenage self and includes excerpts from his parents.

At its core, The Topeka School is a meditation on the power of language and an argument for its importance in how we understand our world. Adam in his prime contends for a national high school debate championship by mastering a technique known as the spread, an incoherent, rapid-fire style designed to game the rules of the competition that Lerner none too subtly suggests has leeched into American corporate culture and politics. (The causal arrow most likely goes the other direction.) Another chapter delivers a pained portrait of the loss of those faculties in old age, as dementia removes any possibility of comprehension. Whether an intentional debate tactic or a loss of bodily control, the collapse of language upends the world.

Adam’s parents, two psychologists at an institute in Topeka called The Foundation and direct stand-ins for Lerner’s parents, take over the narration for extended stretches of the book. Jonathan, Dr. J, makes for the most lyrical of the narrators, the man himself practically a living Hermann Hesse novel. But Adam’s mother, Jane, is the book’s moral core, a celebrated feminist author who withstands the misogynistic abuse she endures with carefully refined tactics, a pillar even as some of her most vital relationships crumble. The Topeka School has garnered deserved praise for its treatment of toxic masculinity, and at its best, it shows a way out of that hell, a love letter from a son to his mother for what she taught him, even if he often failed to see it.

The Topeka School makes a concerted effort to diagnose the ills of modern America through frequent references to the nation’s imperial decline. One chapter, “The New York School,” lays bare the underbelly of a glamorous life in the diplomatic corps at the apex of American hegemony, an attempt to question the idea that those really were the glory days. The novel checks the “end of history” phrase box several times and pokes at the conceit that filters down from grandstanding politicians to self-important high school debaters. More often, though, it lingers in the mid-90s ennui of well-off white kids in Kansas, following their forays into sex and drugs and gangsta rap. Each chapter begins with an interlude in the story of Darren Eberheart, a childhood acquaintance of Adam’s and a social outcast who becomes one of Jonathan’s “lost boys,” consumed by male rage. If this is the empire, Lerner seems to say, is its demise all that sad?

While Jonathan is the narrator in “The New York School,” Jane takes command of that chapter, which makes an extended metaphor out of guiding an airplane safely to the ground. That great machine up in the sky, so far beyond the imagination of previous generations, incredible until it suddenly becomes a machine barreling along at hundreds of miles per hour, one small mistake all the only thing between its passengers and certain death. While reading this chapter my mind went to the “Flight 93 election” conservative analogy to Trump, the claim that the salvation of the republic require that people of good faith take down the hijacked plane. This, Lerner seems to say, is exactly the wrong way to react when the plane starts to smoke. Jonathan and Jane’s patients’ attempts to talk through their problems are an attempted corrective to the spread, a hope for a halting path out from the incoherence. When crisis strikes Adam, Jane is there to guide him down, and Jonathan is there as our flawed and awed witness to both the heights and recesses of the mind. Here, amid an otherwise fairly dark rendering of modern American life, Lerner finds hope.

I have two great critiques of The Topeka School. One is that, despite growing up in a comfortable Middle American community a decade later with some talent of my own in academic competitions before heading East, I could not relate to Adam at all. This isn’t to say he’s a false character; maybe the world changed drastically in a decade, and maybe there’s a a red state-blue state split or some other cultural divide between Duluth and Topeka at play. I also don’t think relatability should necessarily be the foremost concern in rating a book’s merits. But I never felt Adam come together as a character the way Ben Weeks does in The Expectations, in part because it skipped over the years between innocent ten-year-old Adam and troubled seventeen-year-old Adam that would have described how he became the way he was. Though he is the supposed protagonist, his parents came to life better than he did, more obvious products of their own briefly rendered parents than Adam is of Jonathan and Jane.

Why does Lerner not seem to care about Adam’s progression through life? I’d hazard to say it’s because he sees his world as fundamentally fallen, a product of nature and forces beyond anyone’s control. A pool cue ball, a symbol of Darren Eberheart’s violent rage, “had been there all his life;” Jonathan cannot say how his lost boys of privilege come to be, and his mentor, Klaus, offers up a contradictory claim of both eternal failings and the product of imperial decline. Some combination of male aggression is inherent, and culture (especially in late capitalist America, a land of “adolescence without end”) acts as an accelerant; the best we can hope for is to tame it. In broad terms I’d buy this hypothesis, and Lerner captures many of its contours. But I’m not sure he gives Adam (and, through Adam, his own teenage self) enough credit; while Jane tells us that teenage Adam is really a pretty decent guy, we see him only at particular flash points, and this never really comes through. The portrait just doesn’t feel complete.

My second critique, related and more serious, is of the ending, which I won’t spoil except to say that its attempt at a zeitgeisty twist fell completely flat for me. I felt some unease when I read the first chapter of the book when it was excerpted in the New Yorker this year: the subject matter drew me in immediately, but I worried it might be too clean in its vision of suburbia, too exaggerated in its effort to wash away nuance in its quest to set a brooding mood and say Important Things about contemporary American life. Beneath this desire to plunge into a full examination lay a simplistic, rather ideological lens, and in the last chapter, it all came back out again. If Jane’s plane had a gentle landing, Lerner’s skids along the runway.

Perhaps this is the price we pay for having a poet for an autobiographical novelist, a writer more drawn to rendering moods and meditative auras than crisp declarative prose. (Either that, or I wasn’t on enough drugs when I read the thing.) The Times review, trading off a point made in the Zadie Smith essay I quoted on here last month, thinks Lerner’s lack of authorial authority is just what the novel needs now, an admission that this author who is trying to say something about contemporary life (notably, a straight white guy from the Heartland) needs to acknowledge where his own perspective stops. The point, surely, is a valuable one. But the counterpoint, right there before us, is Jane Gordon, a far more interesting character than the autobiographical Adam. If only Jane could’ve had the last word; she wouldn’t have needed to append an account of her wokeness to prove she’s on the right side of history. Her life, as rendered in the book, is testament enough to everything that she and Lerner stand for.

Part Two is here.

Good Writing, 10/30/19

In this edition of my recurring feature, I highlight articles come to me from friends and colleagues who sent me articles thinking I’d like them. They were right, and each of them ties into some piece of my semi-recent writing. Hey, maybe this whole concept can take off.

First, we pay a visit to James Fallows at the Atlantic, who offers up one of the more impressive Karl-baiting articles I can remember: his theme is one I have played with, both subtly and not so subtly, on here before. The decline and fall of the Roman Empire, he argues, was not such a horrible thing for humanity. Instead, for most people, life went on. Many of the monasteries and breakaway provinces retained the most valuable pieces of antiquity and formed the foundations of the modern world. If our American moment is indeed analogous to the late Roman Empire, is that really such a horrid thing? Scale makes national politics nothing more than cultural signaling, and the real work of governance happens close to home. Fallows and his wife, Deborah, wrote about Duluth when they traveled the country looking for examples of how this localism could work.

In the New Yorker, Adam Gopnik spends some time in my field of urban planning, and gives some nuanced revisionism of the critiques of mid-century urban renewal. Said renewal gave us a lot of ugly, bad buildings with no concept of the cities surrounding them, but it also aspired to grand solutions. Not all of them were elites glibly or malevolently displacing people of color to facilitate commerce; in fact, many had some of the noblest intentions, and at times they did a much better job of creating access for people than the contemporary ethos of preservation, which often has the effect (whether intended or unintended) of privileging people who already live in a place and making it different for others to break in. As with Pruitt-Igoe, maybe the fault is less with the planners and architects than with a political environment that never gave their ideas a chance.

Gopnik points out many of the ironies of urban political alliances–developers with housing-seeking liberals, conservatives and radical leftist preservationists–and nudges toward a conclusion that attractive architecture and design are what really matters. Our urban moment is very different from that of the past half-century, and Gopnik concludes by abolishing rent control (correctly) and urban planning departments (well, that’s awkward). This kid trained as a planner thinks he is on to something when he says that different times should make us consider rescuing the best of the past era of planning, such as its noble grand attempts to confront pressing issues, while doing away with the ugly architecture and the paternalism. Somewhere in this mess lies an answer, and we can yet find it.

Finally, since I’ve been writing some things about different generations lately, I’ll offer up a New York Times piece by Taylor Lorenz that shows how Generation Z is starting to have some snarky fun at the expense of Baby Boomers (or, at least, a subset of baby boomers that seems particularly naive to some of the challenges that now afflict young people). As noted in my June post, this broad-brush generational portrait is fairly narrow and perhaps enjoys some New York Times confirmation bias, but I am nonetheless amused.

I’ll close with two quotes about writing. The first comes from Zadie Smith, my favorite part of a sparkling, complex essay in the New York Review of Books that explains why fiction is still valuable, particularly in an era when intellectual currents challenge writers’ ability to enter into the experiences of others and accurately represent them.

[I]n our justified desire to level or even obliterate the old power structures—to reclaim our agency when it comes to the representation of selves—we can, sometimes, forget the mystery that lies at the heart of all selfhood. Of what a self may contain that is both unseen and ultimately unknowable. Of what invisible griefs we might share, over and above our many manifest and significant differences. We also forget what writers are: people with voices in our heads and a great deal of inappropriate curiosity about the lives of others.

Amen.

The second, in much the same vein, comes from Sally Rooney’s Normal People, which I reviewed earlier this year:

He knows that a lot of literary people in college see books primarily as a way of appearing cultured. When someone mentioned the austerity protests that night in the Stag’s Head, Sadie threw up her hands and said: No politics, please! Connell’s initial assessment of the reading was not disproven. It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys, so that they might afterward feel superior to the uneducated whose emotional journeys they liked to read about. Even if the writer himself was a good person, and even if his book really was insightful, all books were ultimately marketed as status symbols, and all writers participated to some degree in this marketing. Presumably this was how the industry made money. Literature, in the way it appeared in these public readings, had no potential as a form of resistance to anything. Still, Connell went home that night and read over some notes he had been making for a new story, and he felt that old beat of pleasure inside his body, like watching a perfect goal, like the rustling movement of light through leaves, a phrase of music from the window of a passing car. Life offers up these moments of joy despite everything.

Ouch.

The New Yorker accurately skewers my writing life:

ouch

So excuse me while I stay true to form and go drown my sorrows in a wine bottle.

Anyway, I took the past week off from writing after finishing my marginally autobiographical plot-lite exploration of driven-yet-wandering teens who later become twenty-somethings who express their wants and needs in fits and starts. (See? I’m not totally typecast!) It was strange, and somehow resulted in me having no more free time than I normally do. I couldn’t see it when in the middle of that week, but I was directionless.

I think I can officially declare myself an addict. I write to make sense of the world, but for all of the sense-making I do, I’m not happy unless I continue to write and continue to make more sense of my world. Except in rare spurts of stream of consciousness, or when I write about topics that require less mental exertion like hockey or horse race politics, I’m an exacting writer. My process is slow, choppy, and full of long tunnels of frustration punctuated by very rare spurts of certainty and inspiration. (Somewhere in here is yet another obnoxious metaphor for life.) Rarely would I call myself happy as I write, but one of my characters did have a pretty good quote about happiness in that last installment in my story, so maybe he has some wisdom for me there.

The busier I am in my day-to-day life, the more value I place on finding time to write. I suspect this is because a hectic life gives new value to opportunities for slow thought. The instant reaction, the hot take, the sound bite or Tweet: so many demands of contemporary punditry militate against the slow, careful reasoning necessary to parse through different arguments or reflect on the past. (For a take on why this is important, revisit this Joseph Epstein quote factory on what it takes to be cultured.) Writing, which forces me to put care into thoughts, is the perfect vehicle for working toward that pursuit of understanding.

Fiction is the most satisfying writing I do because it is in many ways the slowest. There was no timeline on any of the posts in that series, and no need to come up with my own quick response in the dialogue. Not once did I slide something into one of those stories in response to some recent development in my life; many of the thoughts had been forming for years, while many dealt with things I have never experienced. It was patient, exacting, and had no need to answer to anyone or anything other than my own curiosity over how certain debates and situations could plausibly play out. Fiction is a playground to explore realities like our own without actually living through them.

None of it happens in a vacuum, of course. This latest installment had handful of guides, including books like Hannah Arendt’s The Human Condition, Peter Matthisen’s The Snow Leopard, and William Finnegan’s Barbarian Days, and films like La Grande Bellezza and Y tu mamá también and The Grand Budapest Hotel. (Film weighs heavily here, I suspect, due to the episodic nature of the story; curiously, I can’t name a single novel that directly influenced my efforts, though I suppose there are hints of Gatsby and Wallace Stegner lurking in there.) Deep in my memory, I can probably recollect some stray conversation about Havasu Falls and the tale of John Muir and Theodore Roosevelt, and while only one of the eleven installments had any direct autobiographical undercurrents, my own life certainly courses through much of it in subtle ways.  Fiction can come to seem like an incoherent hodgepodge of influences, or an author’s attempt to show off a vast knowledge. My previous efforts often came across that way, so this story collection tried to rectify that.

Beginning with that first story about Evan on his surfboard, which still might be my favorite of the bunch, there was a deliberate attempt to strip away all artifice and focus only on the world inhabited by the two characters. “Less is more,” I told myself time and again, purging away useless details and chopping out aimless dialogue. I intentionally avoid most all markers of time; other than establishing their use of cell phones and perhaps some of their slang, there’s very little in the stories that can pin the characters at any point over the past fifty years. I used some descriptive language to set scenes and interrupt long runs of dialogue, but I tried to live in the characters’ minds and in the tasks immediately before them that consume their thoughts. If I haven’t put readers directly into their minds instead of some obvious extension of my own, I haven’t succeeded.

When I was fully invested and writing well, my fiction almost becomes an out of body experience. Mark and Evan have existed in some form since my undergraduate days, but they took on new life over the past year and a half, when they became two influential and sometimes warring factions in my head. As a writer of fiction, I sometimes feel like I’m living four or five parallel lives, and if I ever seem lost in some other world, it may be because I’ve wandered down one of those other paths that I’ve invented, at least for a little while. I tend to reject strict methods of categorizing people or a sense of a “true self” because I can inhabit several different, sometimes conflicting selves, and I don’t see this inherent tension as necessarily problematic. If anything, it expands horizons, and makes the rich variety of the world and human experience possible, if only in a fleeting way, to someone who otherwise can get bogged down in the lurches of emotion of day-to-day life. Fiction, in its ability to transport readers, makes us free.

So, perhaps in that spirit, this blog will now move on to some very different ways of being. I have to offer up some bread and circuses to go along with the invented worlds, so we’ll gear up for elections in my next post, and hockey season is just around the corner, too. Thanks, as always, for bearing with all of this eclectic slow thought.