Cry, the beloved country, for the unborn child that is the inheritor of our fear. Let him not love the earth too deeply. Let him not laugh too gladly when the water runs through his fingers, nor stand too silent when the setting sun makes red the veld with fire. Let him not be too moved when the birds of his land are singing, nor give too much of his heart to a mountain or a valley. For fear will rob him of all if he gives too much.
-Alan Paton, Cry, the Beloved Country
The purity of memory never lasts. Those happiest of moments become tinged by time, whether abruptly or by a slow and steady march. The markers of a carefree youth age away, and the impermanence of all things becomes all too real. Cause for defeat, for fear? No: an added sense of urgency, a realization that every little moment is precious. Reminders that we can build something real; even if it only lasts an instant, we can cherish it for a lifetime. We cannot control history, but we do have at least some control of the narrative that emerges from it. It takes time. But time, just as it can wear things down, brings wisdom, and renews itself in cycles that defy the linear logic we’ve imposed on it. Everything dies and nothing dies, and we are left with neither heaven nor hell but earth, where we belong; here, in all its absurd messiness. It’s a beautiful thing.